Contradictory Woolf ( Clemson University Press: Woolf Selected Papers )

Publication series :Clemson University Press: Woolf Selected Papers

Author: Ryan   Derek   Bolaki   Stella  

Publisher: Liverpool University Press‎

Publication year: 2012

E-ISBN: 9781942954118

P-ISBN(Paperback): 9780983533955

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Description

Contradictory Woolf is a collection of essays selected from approximately 200 papers presented at the 21st Annual International Conference on Virginia Woolf, hosted by the University of Glasgow. The theme of contradiction in Woolf's writing, including her use of the word 'but', is widely explored in relation to auto/biography, art, philosophy, cognitive science, sexuality, animality, class, mathematics, translation, annotation, poetry, and war. Among the essays collected in this volume are the five keynote addresses—by Judith Allen, Suzanne Bellamy, Marina Warner, Patricia Waugh, and Michael Whitworth—as well as a preface by Jane Goldman and an introduction by the editors. Edited collection from acclaimed contemporary Woolf scholars, exploring the theme of contradiction in Virginia Woolf’s writing. Impressive line up of international contributors. Distinguished contributors include Marina Warner and Cecil Woolf. Brings together the best of contemporary Woolf scholarship. Notes on Contributors: Judith Allen leads the Virginia Woolf Reading Group at Kelly Writers House at the University of Pennsylvania. Her book, Virginia Woolf and the Politics of Language, was published by Edinburgh University Press in 2010. Her chapter on “Feminist Politics” will be included in Virginia Woolf in Context, forthcoming from Cambridge University Press, and she is currently writing a monograph on Woolf and Montaigne for Cecil Woolf ’s Bloomsbury Heritage Series. Suzanne Bellamy is an Australian artist and writer, currently completing a PhD at the University of Sydney. Website: suzannebellamy.com Ian Blyth is an Honorary Research Fellow in the School of English, University of St Andrews, and a member of the Editorial Board for the Cambridge Edition of the Works of Virginia Woolf, for which he is co-editing Orlando (with Suzanne Raitt). His published works include Hélène Cixous: Live Theory (2004), and various articles on Virginia Woolf and Vita Sackville-West. Stella Bolaki is a Lecturer in the School of English at the University of Kent. She is author of Unsettling the Bildungsroman: Reading Contemporary Ethnic American Women’s Fiction (2011) and has published articles in MELUS, Mosaic and Textual Practice. She is currently writing a monograph on cross-genre illness narratives, and she is co-editor, with Sabine Broeck, of a forthcoming collection of essays on Audre Lorde’s transnational legacy. Wayne Chapman is Professor of English at Clemson University, editor of Th e South Carolina Review, and executive editor of Clemson University Digital Press. His most recent book is Yeats’s Poetry in the Making: “Sing Whatever Is Well Made” (Palgrave Macmillan 2010). With Janet M. Manson, he is the co-author of An Annotated Guide to the Writings and Papers of Leonard Woolf (2006) and co-editor of Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education (1998). John Coyle is Senior Lecturer in English Literature at the University of Glasgow. His main interests lie in the field of modernist and postmodernist literature from an international perspective. He has published articles on F. Scott Fitzgerald, Alain-Fournier, Proust, and Joyce, and has edited two introductory studies on Joyce. Kristin Czarnecki is an associate professor of English at Georgetown College. Her work has been published in the Journal of Modern Literature, the Journal of Beckett Studies, College Literature, and the CEA Critic, among others. Her current project involves Kriste

Chapter

Woolf, Context, and Contradiction

"Did I not banish the soul?" Thinking Otherwise, Woolf-wise

"The Play's The Thing BUT We Are The Thing Itself." Prologue, Performance and Painting. A Multimedia Exploration of Woolf ’s Work in the Late 1930’s and Her Vision of Prehistory

Report to the Memoir Club: Scenes from a Colonial Childhood

“But somebody you wouldn’t forget in a hurry”: Bloomsbury and the Contradictions of African Art

Contradictions in Autobiography: Virginia Woolf's Writings on Art

“But something betwixt and between”: Roger Fry and the Contradictions of Biography

“Can ‘I’ become ‘we’?”: Addressing Community in The Years and Three Guineas

Woolf's Un/Folding(s): The Artist and the Event of the Neo-Baroque

Woolf's Contradictory Thinking

The Feeling of Knowing in Mrs. Dalloway: Neuroscience and Woolf

“When the lights of health go down”: Virginia Woolf's Aesthetics and Contemporary Illness Narratives

Kinetic Tropes, Comedic Turns: Dancing To The Lighthouse

But Woolf was a Sophisticated Observer of Fashion…: Virginia Woolf, Clothing and Contradiction

Bi-sexing the Unmentionable Mary Hamiltons in A Room of One’s Own: The Truth and Consequences of Unintended Pregnancies an Calculated Cross-Dressing

Lacanian Orlando

The Bispecies Environment, Coevolution, and Flush

From Spaniel Club to Animalous Society: Virginia Woolf's Flush

Ecology, Identity, and Eschatology: Crossing the Country and the City in Woolf

“Please Help Me!” Virginia Woolf, Viola Tree, and the Hogarth Press

“Am I a Snob?” Well, Sort of: Socialism, Advocacy, and Disgust in Woolf's Economic Writing

“Come buy, come buy”: Woolf’s Contradictory Relationship to the Marketplace

Virginia Woolf and December 1910: The Question of the Fourth Dimension

Virginia Woolf on Mathematics: Signifying Opposition

“A Brief Note in the Margin:” Virginia Woolf and Annotating

“Observe, Observe Perpetually,” Montaigne, Virginia Woolf and the “Patron au Dedans”

Who’s Behind the Curtain? Virginia Woolf, “Nurse Lugton’s Golden Thimble", and the Anxiety of Authorship

Virginia Woolf and the Russian Oxymoron

“A Dialogue…about this Beauty and Truth”: Jorge Luis Borge’s Translation of Virginia Woolf's Orlando

“As I spin along the roads I remodel my life”: Travel Films “projected into the shape of Orlando”

Travesty in Woolf and Proust

Woolf, Yeats, and the Making of “Spilt Milk”

Figures of Contradiction: Virginia Woolf's Rhetoric of Genres

Do Not Feed the Birds: Night and Day and the Defence of the Realm Act

Approaches to War and Peace in Woolf: “A Chapter on the Future”

Duncan Grant

Notes on Contributors

Conference Program

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