Chapter
2. Dramatic Quality in Everyman
3. Thomas More’s Utopia: A Unique Piece of Prose
4. Longinus: Theory of Sublimity
5. Tragic Conflict in Dr. Faustus
6. Marlowe’s Edward II as a Historical Tragedy
7. Shakespeare’s Macbeth: A Grim Tragedy of Ambition
8. William Shakespeare’s Macbeth as a Tragedy
9. Hamlet and His Problems
10. Comic Relief in Hamlet
11. Importance of Supernatural in Hamlet
12. The Tempest: The Theme of Colonialism
13. Sidney as a Sonneteer
14. ‘Come Sleep O Sleep’: A Critical Appreciation
15. ‘Loving in Truth’: A Critical Appreciation
16. Ben Jonson’s The Alchemist as a Comedy of Humours
18. Milton’s Grand Style in Lycidas
19. John Donne’s ‘Goe, and Catche a Falling Starre’
20. John Donne’s ‘Death Be Not Proud’
21. John Donne’s ‘The Sunne Rising’
22. Herbert as a Metaphysical Poet
23. Herbert as a Religious Poet
24. John Dryden’s Plea for Dramatic Poetry
25. Dr. Johnson’s Liberal Classicism
26. Dr. Johnson’s ‘Preface to Shakespeare’
27. William Congreve’s The Way of the World as A Comedy of Manners
28. Alexander Pope’s The Rape of the Lock
29. The Role of Supernatural in The Rape of the Lock
30. Realism in Defoe’s Moll Flanders
31. William Wordsworth’s Nature of Poetry
32. Wordsworth’s Theory of Poetic Diction
33. ‘Dejection: An Ode’: A Critical Appreciation
34. The Rime of the Ancient Mariner: Coleridge’s Theme of Morality
35. Treatment of Supernatural in The Rime of the Ancient Mariner
36. Symbolical and Allegorical Implication in The Rime of the Ancient Mariner
37. S.T. Coleridge’s ‘Kubla Khan’
38. Shelley as a Poet of Nature
39. Shelley as a Lyric Poet
40. Platonism in Shelley’s Poetry
41. Adonais as a Pastoral Elegy
42. John Keats as a Sensuousness Poet
43. John Keats as an Ode Writer
44. Development of Thoughts in ‘Ode to the Nightingale’
45. Jane Austen as a Novelist
46. Walter Scott as a Historical Novelist
47. The Heart of Midlothian: A Novel of Human Justice
48. Browning’s Vision of Life or Optimism
50. Characteristics of Browining’s Dramatic Monologues
51. Matthew Arnold as an Elegiac Poet
52. Matthew Arnold’s ‘The Scholar Gipsy’
53. Matthew Arnold’s ‘Requiescat’ — A Critical Appreciation
54. The Pre-Raphaelite Movement
55. Rossetti as a Pictorial Artist
56. The Blessed Damozel: A Critical Appreciation
57. Hopkins as a Religious Poet
58. Hopkins’s Obscurity and Sprung Rhythm
59. ‘Felix Randal’: A Critical Appreciation
60. ‘Carrion Comfort’: A Critical Appreciation
61. ‘Pied Beauty’: A Critical Appreciation
62. ‘Byzantium’: A Critical Appreciation
63. ‘No Second Troy’: A Critical Appreciation
64. T.S. Eliot’s ‘Three Voices of Poetry’
65. T.S. Eliot’s ‘What is Classic’
67. Tiresias: the Protagonist of The Waste Land
68. Chorus in T.S. Eliot’s Murder in Cathedral
69. J.C. Ransom as a Critic
70. J.C. Ransom’s ‘Poetry: A Note on Ontology’
71. Symbolism in D.H. Lawrence’s Women in Love
74. Historical Linguistics
78. Gitanjali as a Devotional Poem
79. Tagore’s Imagery in Gitanjali
80. Kamala Das as Poetess
81. Ezekiel’s Contribution to Anglo–Indian Poetry
82. A.K. Ramanujan: Features of His Poetry
83. Raja Rao’s philosophy in The Serpent and the Rope
A Companion to Short Literary Essays
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