Tradition and Innovation in Hellenistic Poetry

Author: Marco Fantuzzi;Richard Hunter;  

Publisher: Cambridge University Press‎

Publication year: 2005

E-ISBN: 9781316905845

P-ISBN(Paperback): 9780521835114

P-ISBN(Hardback):  9780521835114

Subject: K1 World History

Keyword: 世界史

Language: ENG

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Description

An examination of Hellenistic poetry and of its reception at Rome. This study explores the Greek poetry of the third and second centuries BC and its reception and influence at Rome. Close readings of the most familiar poetry of the age are set alongside considerations of newly published texts, providing a different perspective on the literary practices of the period. This study explores the Greek poetry of the third and second centuries BC and its reception and influence at Rome. Close readings of the most familiar poetry of the age are set alongside considerations of newly published texts, providing a different perspective on the literary practices of the period. Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry of the third and second centuries BC and its reception and influence at Rome are explored allowing both sides of this literary practice to be appreciated. Genres as diverse as epic and epigram are considered from a historical perspective, in the full range of their deep-level structures, providing a different perspective on the poetry and its influence at Rome. Some of the most famous poetry of the age such as Callimachus' Aitia and Apollonius' Argonautica is examined. In addition, full attention is paid to the poetry of encomium, in particular the newly published epigrams of Posidippus, and Hellenistic poetics, notably Philodemus. 1. Performance and genre; 2. The aetiology of Callimachus' Aitia; 3. The Argonautica of Apollonius and epic tradition; 4. Theocritus and the bucolic genre; 5. Epic in a minor key; 6. The style of Hellenistic epic; 7. The epigram; 8. The languages of praise; 9. Hellenistic drama; 10. Roman epilogue. Review of the hardback: '… this invaluable and endlessly engaging book splendidly reflects their scholarly priorities and pleasures.' Journal of Classics Teaching Review of the hardback: '… a book so full that it defies summary. … will undoubtedly become an indispensable starting-point for many generations of students and scholars, presenting as it does the culmination of many years' thinking and writing on the part of both of its distinguished authors.' Hermathena 'Wary of generalization that only simplify or obscure, Fantuzzi and Hunter are right to have invested most of their energy in the scrutiny of details; it has enable them to produce the most formidable synthesis of Hellenistic poetic developments yet written.' The Times Literary Supplement

Chapter

CHAPTER 2 The aetiology of Callimachus’ Aitia

1 CALLIMACHUS

2 THE STRUCTURE OF THE AITIA

3 AETIOLOGY

4 HESIOD AND CALLIMACHUS

5 ACONTIUS AND CYDIPPE

6 THE REPLY TO THE TELCHINES

7 CALLIMACHUS AND THE ICIAN

8 POEMS FOR A PRINCESS

CHAPTER 3 The Argonautica of Apollonius and epic tradition

1 EPIC SONG

2 AN EPIC WORLD

3 HEROIC ANGER

4 EPIC MEMORY

5 AN EPIC LEADER

CHAPTER 4 Theocritus and the bucolic genre

1 THEOCRITUS AND THE ‘REALISM’ OF EVERYDAY LIFE: IN SEARCH OF NEW WORLDS FOR POETRY

2 VERISIMILITUDE AND COHERENCE

3 BUCOLIC POETRY AFTER THEOCRITUS: BETWEEN IMITATION AND STYLISATION

4 BUCOLIC AND NON-BUCOLIC LOVE

CHAPTER 5 Epic in a minor key

1 THE ‘EPYLLION’

2 CALLIMACHUS’ HECALE

3 THEOCRITUS’ ‘LITTLE HERACLES’

4 ‘HERACLES THE LIONSLAYER’

5 THE EUROPA OF MOSCHUS

6 THE PHAINOMENA OF ARATUS

6.1 Aratus and didactic poetry

6.2 The justice of the stars

6.3 Didactic myth

CHAPTER 6 The style of Hellenistic epic

1 INTRODUCTION

2 CALLIMACHUS

3 THEOCRITUS

4 APOLLONIUS RHODIUS

CHAPTER 7 The epigram

1 INSCRIPTION AND EPIGRAM: THE 'PREHISTORY' OF A GENRE

2 FUNERARY AND DEDICATORY EPIGRAMS: EPIGRAPHIC CONVENTIONS AND EPIGRAMMATIC VARIATIONS

2.1 The importance of the name

2.2 Tombs without names

2.3 Dialogues with statues

2.4 Puzzles and speculations

3 EROTIC EPIGRAMS

CHAPTER 8 The languages of praise

1 CALLIMACHUS' HYMNS AND THE HYMNIC TRADITION

2 THE DIALECT OF KINGS

3 POSIDIPPUS AND THE IDEOLOGY OF KINGSHIP

CHAPTER 9 Hellenistic drama

1 MENANDER AND NEW COMEDY

1.1 The form of New Comedy

1.2 New Comedy and Hellenistic society

1.3 The ethical horizon of New Comedy

1.4 New Comedy and Attic tragedy

1.5 The appeal of New Comedy

2 HELLENISTIC TRAGEDY

3 LYCOPHRON’S ALEXANDRA

CHAPTER 10 Roman epilogue

1 A CRITICAL SILENCE?

2 PHILODEMUS AND HELLENISTIC POETICS

3 GRAECIA CAPTA

4 VERBUM PRO VERBO

5 POETRY OR TRANSLATION?

6 THE LIMITS OF TRANSLATION

5 CATULLUS’ ATTIS

Bibliography

Index of passages discussed

General index

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