Art and Psychoanalysis

Author: Walsh> Maria  

Publisher: I.B.Tauris‎

Publication year: 2012

E-ISBN: 9780857721839

P-ISBN(Paperback): 9781848857988

Subject: J0-05 Art and other sciences)

Keyword: 艺术理论

Language: ENG

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Description

Often derided as unscientific and self-indulgent, psychoanalysis has been an invaluable resource for artists, art critics and historians throughout the twentieth century and numerous encounters between art and psychoanalysis have sparked illuminations and connections that would otherwise have remained dormant._x000D_Art and Psychoanalysis investigates these encounters. The shared relationship to the unconscious, severed from Romantic inspiration by Freud, is traced from the Surrealist engagement with psychoanalytic imagery to the contemporary critic's use of psychoanalytic concepts as tools to understand how meaning operates. Following the theme of the 'object' with its varying materiality, Walsh develops her argument that psychoanalysis, like art, is a cultural discourse about the mind in which the authority of discourse itself can be undermined, provoking ambiguity and uncertainty and destabilising identity. _x000D_The dynamics of the dream-work and the complexity of translation in the work of Odilon Redon and Susan Hiller leads to Freud's 'familiar unfamiliar' mapped on to the home and female body in the recently-resurgent Louise Bourgeois. Fetishism in the works of 1980s postmodernists, challenges to visual mastery in the appropriation art of Barbara Kruger, and the masquerade strategies of female artists as defying Freudian notions of sexual desire illustrate the varying self-awareness and resistance in art's relationship with psychoanalysis. Abjection and the return of

Chapter

1. Distortion and Disguise: The Dream-Work

2. Uncanny Eruptions

3. Refashioning Fetishism and Masquerade

4. Female Fetishism in the Expanded Field of Narcissism

5. Eye and Gaze: Restoring Body to Vision

6. The Evolution of Abjection

7. Black Narcissus

8. Repetition and the Death Drive

9. Returning to Melanie Klein

10. ‘Real-Making’: A Transitional Phenomenon

11. New Skins for Old

Afterword

Notes

Select Bibliography

Index

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