Torchwood Declassified :Investigating Mainstream Cult Television

Publication subTitle :Investigating Mainstream Cult Television

Author: Williams> Rebecca  

Publisher: I.B.Tauris‎

Publication year: 2013

E-ISBN: 9780857722928

P-ISBN(Paperback): 9781780761770

Subject: J9 Movies, TV

Keyword: 电影、电视艺术

Language: ENG

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Description

Torchwood started its life on television as a spin-off from Doctor Who, bringing Captain Jack to join new colleagues in a television series that quickly established itself as fresh and watchable television. It's fourth series, subtitled 'Miracle Day', continued its move from the niche channel of BBC3 to metamorphose into an international production between the BBC and the US network Starz. Torchwood has continued to entertain, provoke and attract large audiences and an expanding fandom. This is the first critical celebration of Torchwood across it four series, considering issues of representation, the fandom that surrounds the show and its complex, institutional contexts. Focusing in particular on how the meanings and understandings of cult television have shifted and become subject to technological, industry and marketing changes in recent years, Torchwood Declassified explores topics including the show's aesthetics and branding, its use of tropes from the horror genre, vast tie-in merchandise, status as a spin off, the nature of a celebrity that is both cult and mainstream, as well as the use of sound and music and of cult writers, and Torchwood's connection to place and location. The book will appeal to fans of the series, researchers and scholars, and anyone interested in ongoing questions over what cult television is, what it means, and why it continues to be of importance.

Chapter

PART I. MEDIA INSTITUTIONS, BRANDING AND MULTI-PLATFORMING

1. ACCESS DENIED? NEGOTIATING PUBLIC SERVICE AND COMMERCIAL TENSIONS THROUGH TORCHWOOD’S INTERTEXTUAL BARRICADE

2. ‘COOL BUT HIGH QUALITY’: TORCHWOOD, BBC AMERICA AND TRANSATLANTIC BRANDING, 1998-2011

3. CULT YET? THE ‘MIRACLE’ OF INTERNATIONALIZATION

4. TRANSMEDIA TORCHWOOD: INVESTIGATING A TELEVISION SPIN-OFF’S TIE-IN NOVELS AND AUDIO ADVENTURES

PART II. TORCHWOOD, AESTHETICS AND TELEVISUALITY

5. LOST BOYS AND THE FANTASY OF EMPIRE: TORCHWOOD - ‘CHILDREN OF EARTH’

6. CRISIS OF AUTHORITY/AUTHORING CRISIS: DECISION AND POWER IN TORCHWOOD-‘CHILDREN OF EARTH’

7. WALKING CORPSES, REGENERATING DEAD AND ALIEN BODIES: MONSTROUS EMBODIMENT IN TORCHWOOD

PART III. TORCHWOOD, PLACE AND LOCATION

8. ‘WHEN YOU SEE CARDIFF ON FILM, IT LOOKS LIKE LA’ (JOHN BARROWMAN): SPACE, GENRE, AND REALISM IN TORCHWOOD

9. TONIGHT’S THE NIGHT WITH . . .CAPTAIN JACK! TORCHWOOD’S JOHN BARROWMAN AS CELEBRITY/SUBCULTURAL CELEBRITY/LOCALEBRITY

PART IV. TORCHWOOD’S RECEPTION AND AUDIENCES

10. LOVE CAPTAIN JACK OR HATE HIM: HOW TORCHWOOD HAS POLARISED THE DOCTOR WHO FANDOM

11. QUAINT LITTLE CATEGORIES: GENDER AND SEXUALITY IN TORCHWOOD AND ITS IMPORTANCE TO THE FANDOM

12. THE SHAPE-SHIFTER: FLUID SEXUALITY AS PART OF TORCHWOOD’S CHANGING GENERIC MATRIX AND ‘CULT’ STATUS

SELECT BIBLIOGRAPHY

LIST OF TELEVISION SERIES & FILMS

INDEX

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