Unframed :Practices and Politics of Women's Contemporary Painting

Publication subTitle :Practices and Politics of Women's Contemporary Painting

Author: Betterton> Rosemary  

Publisher: I.B.Tauris‎

Publication year: 2003

E-ISBN: 9780857717665

P-ISBN(Paperback): 9781860647710

Subject: J203 绘画工作者

Keyword: 世界各国艺术概况

Language: ENG

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Description

The first sustained analysis of the relationship between women's contemporary painting and feminism. This international collection of specially commissioned pieces brings together writing both by theorists engaged with the process and practice of painting and practitioners engaged in theory, to bring into question what has been a neglected area within feminist literature on visual culture._x000D__x000D_Looking at gender, subjectivity, spectatorship, the gendered audience and maternal subjectivity and painting, Unframed encourages reflexivity about the practice and includes in its scope a range of processes including drawing, printing, collage and installation. The process of painting and the materiality of paint, haptic vision and the contemporary sublime are all discussed. Lavishly illustrated in black and white, Unframed will be of interest to practitioners and students of fine art, art history and women's studies.

Chapter

Chapter 1: 'Before her Time?' Lily Briscoe and painting now

Chapter 2: Painting is not a Representational Practice

Chapter 3: Walking with Judy Watson

Chapter 4: Susan Hiller's Painted Work; Bodies, Aesthetics and Feminism

Chapter 5: The Self-Portrait and the I/Eye

Chapter 6: Threads; Dialogues with Jo Bruton, Beth Harland, Nicky Mary and Katie Pratt

Chapter 7: Seeing and Feeling

Chapter 8: Restretching the Canvas

Chapter 9: Inside the Visible; Painting Histories

Chapter 10: Revisiting Ann Harbuz; Inside Community, Outside Convention

Bibliography

Index

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