Lad Trouble :Masculinity and Identity in the British Male Confessional Novel of the 1990s ( Cultural Studies )

Publication subTitle :Masculinity and Identity in the British Male Confessional Novel of the 1990s

Publication series :Cultural Studies

Author: Ochsner Andrea  

Publisher: transcript-Verlag‎

Publication year: 2015

E-ISBN: 9783839411612

Subject: G0 Cultural Theory;I06 Literature, Literature Appreciation

Keyword: 文化理论,文学评论、文学欣赏,文学

Language: ENG

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Description

In the 1990s, the male confessional novel, most prominently represented by Nick Hornby (»High Fidelity«), but also by writers such as Tim Lott (»White City Blue«) and Mike Gayle (»My Legendary Girlfriend«), articulated the structure of feeling of the male generation in their late twenties/early-to-mid-thirties.
The book presents the advent of the male confessional novel in a fresh and yet critical light, challenging the feminist claim that the genre should be understood as a backlash against feminism and a relapse into sexism. By applying an eclectic theoretical framework, ranging from Raymond Williams to Anthony Giddens, Judith Butler and Jacques Derrida, the study illustrates why the male confessional novel is too complex a phenomenon to be solely interpreted in terms of retrosexism. It convincingly shows how the multitude of postmodern gender scripts adds to the crisis of identity and to the problematic nature of clearly defined gender relationships.

Chapter

The 1990s: a short overview

The literary landscape of the 1990s

The crisis of identity

Identity and narration

The structure of feeling

Masculinities and their crises

Confessional Writing: The (Re)Construction of a Literary Genre

Genus and its application: the problem of genre

From gender to genre: male-authored books – towards une écriture masculine

The male confessional novel as a late modern type of Bildungsroman

The confessional mode

The problem of inadequacy

Cultural Studies and Popular Culture: Struggling with a Problem Child

High culture versus low culture: subverting a dichotomy

Cultural studies’ predicament or the spectres of Marxism

What is popular culture?

The profane makes secure: popular culture and the everyday

Popular fiction and genre: the face and its brows

Deconstructing the popular: iterability and the politics of reading

PART II: WRITING IDENTITY IN THE MALE CONFESSIONAL NOVEL

Structures of Obsessions

Musical excess in High Fidelity

Lost in the Land of Love in My Legendary Girlfriend

Sleepless in London in Time for Bed

Structures of Non-Commitments

Friends versus wife in White City Blue

Procrastinating marriage in Mr Commitment

Structures of Prolonged Adolescence

Men will be boys in About A Boy

Single fatherhood in Man and Boy

Having it both ways in The Best A Man Can Get

Conclusion

Epilogue: The Lad Lit Project

Appendix: Interview with Nick Hornby

Bibliography

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