A Communist Takeover in the Dream Factory — Appropriation of Popular Genres by the East German Film Industry

ISSN： 1361-7427

Source： Slavonica, Vol.11, Iss.1, 2005-04, pp. : 69-86

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Related content

Blood Ties: Interpretive Communities and Popular (Gendered) Genres

By Ginés Isabel Clúa

Critical Studies, Vol. 37, Iss. 1, 2014-09 ,pp. : 233-246

Rodopi

Access to resources Recommend Favorite

Senghor and Heidegger: Negritude's Appropriation of German Phenomenology

By Curto Roxanna

French Literature Series, Vol. 37, Iss. 1, 2010-10 ,pp. : 27-41

Rodopi

Access to resources Recommend Favorite

There are no Genres

By Wackers Paul

Reinardus. Yearbook of the International Reynard Society, Vol. 13, Iss. 1, 2000-01 ,pp. : 237-248

John Benjamins Publishing Company

Access to resources Recommend Favorite

Transcending Conspiratorial Interpretations of the East German Avant-Garde

By Whitmore Lisa R.

Amsterdamer Beiträge zur neueren Germanistik, Vol. 52, Iss. 1, 2003-03 ,pp. : 473-493

Rodopi

Access to resources Recommend Favorite

Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film

By Elder R. Bruce

Avant Garde Critical Studies, Vol. 23, Iss. 1, 2007-11 ,pp. : 3-53

Rodopi

Access to resources Recommend Favorite