Techniques and Materials of Music ：From the Common Practice Period Through the Twentieth Century ( MUS )

Publication subTitle ：From the Common Practice Period Through the Twentieth Century

Publication series ：MUS

Author： Thomas Benjamin;Michael Horvit;Timothy Koozin;Robert Nelson

Publisher： Cengage‎

Publication year： 2015

E-ISBN: 9781305229037

P-ISBN(Paperback): 9781285446172

Subject： J60 music theory

Keyword：音乐,教育

Language： ENG

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Description

Designed to serve as a primary text for the first two years of college music theory, TECHNIQUES AND MATERIALS OF MUSIC, 7th Enhanced Edition covers all the basics of composition--including harmony, melody, and musical form. The authors present essential materials of common-practice music and an overview of 20th century techniques. Numerous hands-on exercises promote students' memorization and retention of key concepts, and the text's concise outline format allows instructors maximum flexibility in choosing which materials, concepts, and techniques to emphasize in their course. Included with every new copy of the print book is access to the new Premium interactive learning website, which delivers a wealth of practical material that will help students better understand musical theory and improve their musical technique.本书还有配套的教学资源，目前仅能提供给老师。获取方式如下： 1. 邮箱获取：将教辅需求发邮件至asia.infochina@cengage.com 2. 电话获取：010-83435111 3. 微信获取：关注我们的公众号，会由客服人员答疑解惑公众号名称：圣智教育服务中心微信号：Cengage_Learning 4. QQ获取：加入我们的QQ群群名称：圣智教育服务中心群号：658668940

Chapter

Cover

Title Page

Contents

What’s New in the EnhancedSeventh Edition

Preface

Suggestions to the Instructor

PART Ⅰ Rudiments

1 The Great Staff and Piano Keyboard

2 Accidentals

3 Intervals

4 Major and Minor Scales

5 Key Signatures

6 Triads

7 Meter and Rhythm

PART Ⅱ Diatonic Materials

1 Triads in Root Position

2 The Tonic Triad in Root Position

3 Connection of Tonic and Dominant Triads in Root Position

4 The Dominant Seventh Chord in Root Position

5 Connection of Tonic and Subdominant Triads in Root Position

6 Connection of Subdominant and Dominant Triads in Root Position

7 Cadences Employing the Tonic,Subdominant,and Dominant Triads in Root Position

8 The Cadential Tonic Six-Four Chord

9 Tonic,Subdominant,and Dominant Triads in First Inversion

10 The Supertonic Triad

11 Inversions of the Dominant Seventh Chord

12 Linear(Embellishing)Six-Four and Other Chords

13 Submediant and Mediant Triads in Root Position and First Inversion

14 The Leading-Tone Triad

15 Variant Qualities of Triads

16 The Sequence

17 The Supertonic Seventh Chord

18 The Leading-Tone Seventh Chord

19 Other Diatonic Seventh Chords

PART Ⅲ Chromatic Materials

1 Secondary(Applied,Borrowed)Dominants

2 Modulation

3 Linear(Embellishing)Diminished Seventh Chords

4 The Neapolitan Triad

5 Augmented Sixth Chords

6 Modulation by Other Means

7 Ninth Chords

PART Ⅳ Twentieth-Century Materials

1 Twentieth-Century Techniques:General Comments

2 Chord Symbols and Approaches to Analysis

3 Rhythmic and Metric Devices

4 Tertian Harmony

5 The Diatonic(Church)Modes

6 Pandiatonicism

7 Exotic(Artificial,Synthetic)Scales

8 Quartal and Secondal Harmony

9 Polyharmony and Polytonality

10 Free Atonality and Set Theory

11 Twelve-Tone Serialism

12 Additional Contemporary Procedures

PART Ⅴ Reference Materials

1 Musical Calligraphy

2 The Harmonic Series

3 Nonharmonic(Nonchord)Tones

4 Relative and Linear Motion

5 Guidelines for Voice Leading in Strict Four-Part Writing

6 Guidelines for Doubling in Strict Four-Part Writing

7 Checklist for Part-Writing

8 Chord Functions in Tonal Music

9 Figured-Bass Symbols

10 Procedure for Harmonizing a Figured Bass

11 Procedure for Harmonizing a Melody

12 Models for Expansion and Elaboration

13 Cadence and Phrase Structure

14 Typical Phrase Variants

15 The Motive

16 The Sequence

17 Textures

18 An Introduction to Tonal Melody

19 An Introduction to Tonal Counterpoint

20 Form

21 Checklist for Analysis

22 Composition Checklist

23 Instrumental Ranges and Transpositions

Bibliography

Index

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