Science Fiction Film ( Genres in American Cinema )

Publication series :Genres in American Cinema

Author: J. P. Telotte  

Publisher: Cambridge University Press‎

Publication year: 2001

E-ISBN: 9780511034954

P-ISBN(Paperback): 9780521593724

Subject: J905 Movie, tv televisions reviews, enjoy

Keyword: 电影、电视艺术

Language: ENG

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Science Fiction Film

Description

Science Fiction Film examines one of the most enduring and popular genres of Hollywood cinema, suggesting how the science fiction film reflects attitudes toward science, technology, and reason as they have evolved in American culture over the course of the twentieth century. J. P. Telotte provides a survey of science fiction film criticism, emphasizing humanist, psychological, ideological, feminist, and postmodern critiques. He also sketches a history of the genre, from its earliest literary manifestations to the present, while touching on and comparing it to pulp fiction, early television science fiction, and Japanese animé. Telotte offers in-depth readings of three key films: Robocop, Close Encounters of the Third Kind, and THX 1138, each of which typifies a particular form of science fiction fantasy. Challenging the boundaries usually seen between high and low culture, literature and film, Science Fiction Film reasserts the central role of fantasy in popular films, even those concerned with reason, science, and technology.

Chapter

Genre Determinations

A Tradition of Trickery

Genre Thinking

2 Science Fiction Film

Science Fiction and Humanism

Susan Sontag

Ideological Criticism

Psychoanalytic Criticism

Feminism

Postmodernism

Synthesis

PART TWO Historical Overview

3 A Trajectory of the American Science Fiction Film

Antecedents

Literature

The Pulps

Science Fiction Literature

Early Science Fiction Cinema

The Machine Age

The Serials

Springtime for Caliban

Post-2001

A New Myth

Postmodern Science Fiction

Science Fiction and Gender

The Anime Influence

Special Effects

PART THREE Film Analyses

4 The Science Fiction Film as Fantastic Text

5 The Science Fiction Film as Marvelous Text

6 The Science Fiction Film as Uncanny Text

7 Crossing Genre Boundaries/Bound by Fantasy

8 Conclusion: A Note on Boundaries

Critical Consensus

Dynamics of Genre

Notes

PART I. APPROACHES

1. Introduction: The World of the Science Fiction Film

2. Science Fiction Film: The Critical Context

PART II. HISTORICAL OVERVIEW

3. A Trajectory of the American Science Fiction Film

PART III. FILM ANALYSES

4. The Science Fiction Film as Fantastic Text

5. The Science Fiction Film as Marvelous Text

6. The Science Fiction Film as Uncanny Text

7. Crossing Genre Boundaries/Bound by Fantasy

8. Conclusion: A Note on Boundaries

Bibliography

Select Filmography of the American Science Fiction Film

Index

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