Contents

Notes on the Editors

Notes on the Contributors

List of Figures and (Audio) Examples

Editors’ Note

Introduction

Part 1 The State of Research

Chapter 1 Early Modern Catholicism: The State of Research

Chapter 2 Music among the Disciplines in Early Modern Catholicism

Part 2 Perspectives

Chapter 3 Liturgical Music and Liturgical Experience in Early Modern Italy

Chapter 4 Musical Dispatches from the Heavenly Jerusalem

Chapter 5 Singing the Community: Plainchant in Early Modern petites écoles

Chapter 6 Print Culture, Music, and Early Modern Catholicism in Rome

Chapter 7 ‘Catechismum modulans docebat’: Teaching the Doctrine through Singing in Early Modern Catholicism

Chapter 8 Artistic Revival and Conquest of the Soul in Early Modern Rome

Chapter 9 ‘Changing their tune’: Sacred Music and the Recasting of English Post-Reformation Identity at St. Alban’s College, Valladolid

Chapter 10 ‘Mit singen und klingen’: Urban Processional Culture and the Soundscapes of Post-Reformation Germany

Chapter 11 ‘Colpe mie venite a piangere’: The Penitential Cantata in Baroque Rome

Chapter 12 Music for the Soul: Death and Piety in Sixteenth-Century Barcelona

Chapter 13 ‘Per cagion della musica tutte le strade erano piene’: Roles Played by Music in Articulating the Place of Confraternities in Early Modern Roman Society

Chapter 14 Confraternity Multipart Singing: Contemporary Practice and Hypothetical Scenarios for the Early Modern Era

Chapter 15 Sounds from Fortresses of Faith and Ideal Cities: Society, Politics, and Music in Missionary Activities in the Americas, 1525–1575

Index Nominum