Chapter
PART I: Framing Bollywood
1 The “Bollywoodization” of the Indian Cinema: Cultural Nationalism in a Global Arena
3 Mumbai versus Bollywood: The Hindi Film Industry and the Politics of Cultural Heritage in Contemporary India
4 Hollywood, Bollywood, Tollywood: Redefining the Global in Indian Cinema
5 The Globalization of “Bollywood” — The Hype and Hope
PART II: Texts and Audiences
6 Our Violence, Their Violence: Exploring the Emotional and Relational Matrix of Terrorist Cinema
7 Exoticized, Marginalized, Demonized: The Muslim “Other” in Indian Cinema
8 The Mirror Has Many Faces: The Politics of Male Same-Sex Desire in BOMgAY and Gulabi Aaina
9 “Bring Back the Old Films, Our Culture Is in Disrepute”: Hindi Film and the Construction of Femininity in Guyana
10 “From Villain to Traditional Housewife!”: The Politics of Globalization and Women’s Sexuality in the “New” Indian Media
11 Songs from the Heart: Musical Coding, Emotional Sentiment, and Transnational Sonic Identity in India’s Popular Film Music
PART III: Beyond Film: Stars, Fans, and Participatory Culture
12 Deewar/Wall (1975) — Fact, Fiction, and the Making of a Superstar
13 The Indian Film Magazine, Stardust
14 Bollyweb: Search for Bollywood on the Web and See What Happens!
15 “We’re Online, Not on the Streets”: Indian Cinema, New Media, and Participatory Culture
Afterword: Fast-Forward into the Future, Haunted by the Past: Bollywood Today