Chapter
Chapter 1. Beginnings in the Yishuv: Promised Land and Civilizing Mission
“Making the Desert Bloom:” The Production of Emptiness
Imaging Palestine: Pioneer Sabras and Exotic Arabs The War of Languages
Chapter 2. Post-1948: The Heroic-Nationalist Genre
State of Siege and Didactic Allegories
The Orient and the Promethean Narrative
Spectacle of War in the Wake of 1967
Chapter 3. The Representation of Sephardim/Mizrahim
Orientalism and its Discontents
The Bourekas and the Carnivalesque
Narrating Nation and Modernization
Rescue Fantasies and the Libidinal South
Arab-Jews, Dislocation and Nostalgia
The Imaginary of Inside/Outside
Chapter 4. Personal Cinema and the Politics of Allegory
The Context of Production
Reflexivity, Parody and the Zionist Epic
Personal Cinema and the Diverse New Waves
The Seeds of Disillusionment
The Foregrounding of Marginality
The Hidden Face of Militarism
The Signification of Style
Chapter 5. The Return of the Repressed: The Palestinian Wave in Recent Israeli Cinema
The Focalization of Politics
The Politics of Focalization
Writing Between “the National” and “the Colonial”
The Politics of Representation Revisited
Palestinians-in-Israel: Cinematic Citizenship in the Liminal Zone
Independence, Nakba and the Visual Archive
Iconographies of Spatial Anxiety
The Arab-Jew and the Inscription of Memory
The Mizrahi Cinema of Displacement
Revisionist Cultural Practice
Translation, Reception, and Traveling Postcolonialism
Israeli Cinema
：East / West and the Politics of Representation
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