Chapter
Who Are Virginia Woolf’s Female Contemporaries?
Considering Contemporaneity:
Woolf and “the Maternal Generation”
Who is My Contemporary? Woolf, Mansfield, and Their Servants
“The World is My Country”: Emma Goldman among the Avant-Garde
“Definite, Burly, and Industrious”: Virginia Woolf and Gwen Darwin Raverat
“A Verbal Life on the Lips of the Living”:
Virginia Woolf, Ellen Terry, and the Victorian Contemporary
Twists of the Lily: Floral Ambivalence in the Work of Virginia Woolf and Georgia O’Keeffe
Virginia Woolf’s Cultural Contexts
Virginia Woolf and the Book Society Limited
The Outsider as Editor: Three Guineas and the Feminist Periodical
Woolf’s Imperialist Cousins: Missionary Vocations of Dorothea and Rosamond Stephen
Mary Sheepshanks, Virginia Stephen, and Morley College: Learning to Teach, Learning to Write
Picture This: Virginia Woolf in the British Good Housekeeping!? or Moving Picture This: Woolf’s London Essays and the Cinema
“Quota Quickies Threaten Audience Intelligence Levels!”: The Power of the Screen in Virginia Woolf’s “The Cinema” and “Middlebrow” and Betty Miller’s Farewell Leicester Square
Virginia Woolf’s Contemporaries Abroad
Reconfiguring the Mermaid: H.D., Virginia Woolf, and the Radical Ethics of Writing as Marine Practice
A Carnival of the Grotesque: Feminine Imperial Flânerie in Virginia Woolf’s “Street Haunting” and Una Marson’s “Little Brown Girl”
Mad Women: Dance, Female Sexuality, and Surveillance in the Work of Virginia Woolf and Emily Holmes Coleman
Shop My Closet: Virginia Woolf, Marianne Moore, and Fashion Contemporaries
Virginia Woolf and Victoria Ocampo: A Brazilian Perspective
Making
Waves in Lonely Parallel: Evelyn Scott and Virginia Woolf
Critical Characters in Search of an Author: Cornelia Sorabji and Virginia Woolf
“In my mind I saw my mother”: Virginia Woolf, Zitkala-Ša, and Autobiography
Virginia Woolf’s Contemporaries at Home
“The Squeak of the Hinge”: Hinging and Swinging in Woolf and Mansfield
“People must marry”: Queer Temporality in Virginia Woolf and Katherine Mansfield
The Weight of “Formal Obstructions” and Punctuation in Mrs. Dalloway and Pointed Roofs
Advise and Reject: Virginia Woolf, The Hogarth Press, and a Forgotten Woman’s Voice
Florence Melian Stawell and Virginia Woolf: Home-front Experience, The Price of Freedom, and Patriotism
Intimations of Cosmic Indifference in Virginia Woolf’s Orlando and Olive Moore’s Spleen
“Could I sue a dead person?”: Rebecca West and Virginia Woolf
Splintered Sexualities in Rebecca West’s The Return of the Soldier, Virginia Woolf’s Mrs. Dalloway, and Sylvia Townsend Warner’s “A Love Match”
Sexual Cryptographies and War in Virginia Woolf’s Between the Acts and Elizabeth Bowen’s The Heat of the Day
Memorial Tribute for Jane Marcus
To Jane, Thank you. With Love,
Virginia Woolf and Her Female Contemporaries
：Selected Papers from the 25th Annual International Conference on Virginia Woolf
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