The Fonte Gaia from Renaissance to Modern Times :A History of Construction, Preservation, and Reconstruction in Siena

Publication subTitle :A History of Construction, Preservation, and Reconstruction in Siena

Author: Chiara E. Scappini  

Publisher: Amsterdam University Press‎

Publication year: 2018

E-ISBN: 9789048535279

P-ISBN(Paperback): 9789462984592

Subject: I06 Literature, Literature Appreciation

Keyword: 文学评论、文学欣赏

Language: ENG

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Description

This book details the history of the beautiful Fonte Gaia in Siena, Italy. Created in the fifteenth century, the fountain was eventually replaced by a copy in the nineteenth century—a copy which itself is now old enough to need preservation. This book looks at the Italian Renaissance through the fate of the fountain, showing how both the Risorgimento and Purism have shaped our perceptions of the period and its art.
 

Chapter

1. Siena: Water and Power

Water

Early Medieval Italian Fountains

Sienese Fountains

2. The First Fonte Gaia

The Contract for the First Fountain

Decoration of the First Fountain

Sources of Water for the Fountain

The History of the First Fountain

Jacopo della Quercia’s Fonte Gaia and Its Chronology

Identifying the Fonte Gaia’s Parapet Sculptures

Acca Larentia and Rhea Silvia

Jacopo della Quercia’s Parapet Statues

Mother Earth and Gaia

Why the Fonte Gaia’s Parapet Sculptures Were Changed to Refer to Gaia, and Other Precedents for Its Iconography

The Influence of Jacopo della Quercia’s Fonte Gaia in the Fifteenth Century

3. A History of Disrepair

Why the Fonte Gaia Was Damaged In Situ

Jacopo della Quercia’s Choice of Materials

Civic Events and Festivals: Bull Hunts, Markets, Buffalo Races, Palio

The Removal of the Fountain

Milanesi’s Crusade to Save the Fonte Gaia

Sarrocchi Carves a Replacement for della Quercia’s Fonte Gaia

The Fate of della Quercia’s Sculptures after Removal from the Piazza del Campo

The Relationship between Bruni’s Drawings and Sarrocchi’s Sculptures

Cleaning della Quercia’s Fountain Pieces

New Discoveries: What the Restoration Uncovered

4. The Nineteenth-Century Fonte Gaia

The Life of the Sculptor

Sarrocchi in Antonio Manetti’s Studio

Italian Purism

The Artistic Climate at the Academy: Lorenzo Bartolini and Giovanni Duprè

Sarrocchi’s Early Career

Giuseppe Partini

Sarrocchi’s Fonte Gaia: Commission and Reception

Faithful Copy or Purist Revision? A Comparison of Sarrocchi’s Fonte Gaia and della Quercia’s Original Monument

Conclusion

Appendix I: Preliminary Research on the Condition of the Fonte Gaia

Appendix II: Dismantling and Cleaning the Fonte Gaia

Documents

Document 1: Contracts of 22 January 1409 and 1 June 1412

Document 2: Letter to the Civic Magistrate of Siena from Gaspero Pini and Gaetano Milanesi, 18 July 1844

Document 3: Programma per rifare la Fonte Gaia della Piazza di Siena

Bibliography

Index

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