Hamlet's Arab Journey :Shakespeare's Prince and Nasser's Ghost ( Translation/Transnation )

Publication subTitle :Shakespeare's Prince and Nasser's Ghost

Publication series : Translation/Transnation

Author: Litvin Margaret  

Publisher: Princeton University Press‎

Publication year: 2011

E-ISBN: 9781400840106

P-ISBN(Paperback): 9780691137803

Subject: D0 Political Theory;I06 Literature, Literature Appreciation;I106.3 dramatic literature

Keyword: 政治理论,文学评论、文学欣赏,戏剧文学

Language: ENG

Access to resources Favorite

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Description

For the past five decades, Arab intellectuals have seen themselves in Shakespeare's Hamlet: their times "out of joint," their political hopes frustrated by a corrupt older generation. Hamlet's Arab Journey traces the uses of Hamlet in Arabic theatre and political rhetoric, and asks how Shakespeare's play developed into a musical with a happy ending in 1901 and grew to become the most obsessively quoted literary work in Arab politics today. Explaining the Arab Hamlet tradition, Margaret Litvin also illuminates the "to be or not to be" politics that have turned Shakespeare's tragedy into the essential Arab political text, cited by Arab liberals, nationalists, and Islamists alike.


On the Arab stage, Hamlet has been an operetta hero, a firebrand revolutionary, and a muzzled dissident. Analyzing productions from Egypt, Syria, Iraq, Jordan, and Kuwait, Litvin follows the distinct phases of Hamlet's naturalization as an Arab. Her fine-grained theatre history uses personal interviews as well as scripts and videos, reviews, and detailed comparisons with French and Russian Hamlets. The result shows Arab theatre in a new light. Litvin identifies the French source of the earliest Arabic Hamlet, shows the outsize influence of Soviet and East European Shakespeare, and explores the deep cultural link between Egypt's Gamal Abdel Nasser and the ghost of Hamlet's father.


Documenting how global sources and models helped nurture a di

Chapter

"Words, Words, Words": Forging an Identity

"The Play's the Thing"

2 Nasser's Dramatic Imagination, 1952–64

Revolutionary Drama

Theatre Joins the Battle

Shakespeare on the Sidelines

3 The Global Kaleidoscope: How Egyptians Got Their Hamlet, 1901–64

Beyond Caliban

"Bend Again toward France"

"Do It, England!"

Independence and Soviet Shakespeare

Bidayr's "Cruel Text"

4 Hamletizing the Arab Muslim Hero, 1964–67

In Search of Social Justice

Psychological Interiority as a Ground for Political Agency

Sulayman: "Justice or Oppression? That Is the Puzzle"

Al-Hallaj: "Who Will Give Me a Seeing Sword?"

De-Hamletized Revivals

5 Time Out of Joint, 1967–76

"Something Is Rotten": Theatre and the 1967 Defeat

Martyrs for Justice: "Abstract and Brief Chronicles"of the 1970s

Sadat's Open Door: "To Cook or Not to Cook?"

A Dilemma

6 Six Plays in Search of a Protagonist, 1976–2002

Silencing Hamlet

"A Play Can't Stab"

"His Sword Kept Sticking Up"

A Prodigal Cousin

Post-Political Laughs

Epilogue: Hamlets without Hamlet

Notes

Bibliography

Index

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

Y

Z

The users who browse this book also browse


No browse record.