Abjection and the Fear of Alterity: Matricide and the Trope of the Maternal in the Works of Carlo Emilio Gadda and Samuel Beckett

Author： Wehling-Giorgi Katrin

Publisher： Maney Publishing

ISSN： 0075-1634

Source： Italian Studies, Vol.66, Iss.1, 2011-03, pp. : 76-92

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Related content

“Splendid Little Pictures”: Leibnizian Terminology in the Works of Samuel Beckett and Carlo Emilio Gadda

By Wehling-Giorgi Katrin

Samuel Beckett Today/Aujourd'hui, Vol. 22, Iss. 1, 2010-10 ,pp. : 341-354

Rodopi

Access to resources Recommend Favorite

UNNAMING THE SUBJECT: Samuel Beckett and Colonial Alterity

By Quigley Mark

Samuel Beckett Today/Aujourd'hui, Vol. 15, Iss. 1, 2005-11 ,pp. : 87-100

Rodopi

Access to resources Recommend Favorite

ECHOES OF BERGSONIAN VITALISM IN SAMUEL BECKETT'S EARLY WORKS

By Milz Manfred

Samuel Beckett Today/Aujourd'hui, Vol. 19, Iss. 1, 2008-08 ,pp. : 143-154

Rodopi

Access to resources Recommend Favorite

The Letters of Samuel Beckett

By Robins Phil

The Cambridge Quarterly, Vol. 41, Iss. 3, 2012-09 ,pp. : 365-371

Oxford University Press

Access to resources Recommend Favorite

Narratricide: Samuel Beckett as Autographer

By Abbott Porter H.

Romance Studies, Vol. 6, Iss. 1, 1987-01 ,pp. : 35-46

Maney Publishing

Access to resources Recommend Favorite