Related content

Politics and open-ended dialectics in Lars von Trier's Dogville: a post-Brechtian critique

By Koutsourakis Angelos  

New Review of Film and Television Studies, Vol. 11, Iss. 3, 2013-09 ,pp. : 334-353

Routledge Ltd

Access to resources Recommend Favorite

Steven Soderbergh by Aaron Baker. Urbana: University of Illinois Press, 2011

By Haworth Kevin  

Quarterly Review of Film and Video, Vol. 31, Iss. 1, 2014-01 ,pp. : 83-86

Routledge Ltd

Access to resources Recommend Favorite

The affective sublime in Lars von Trier's Melancholia and Terrence Malick's The Tree of Life

By French Sarah   Shacklock Zoë  

New Review of Film and Television Studies, Vol. 12, Iss. 4, 2014-10 ,pp. : 339-356

Routledge Ltd

Access to resources Recommend Favorite

Politics as form in Lars von Trier: a post-Brechtian reading

By Lübecker Nikolaj  

New Review of Film and Television Studies, Vol. 12, Iss. 4, 2014-10 ,pp. : 485-487

Routledge Ltd

Access to resources Recommend Favorite

François Ozon by Thibaut Schilt. Champaign: University of Illinois Press, 2011

By Orlando Valérie  

Quarterly Review of Film and Video, Vol. 31, Iss. 1, 2014-01 ,pp. : 99-103

Routledge Ltd

Access to resources Recommend Favorite