Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music

ISSN： 0195-6167

Source： Music Theory Spectrum, Vol.23, Iss.1, 2001-03, pp. : 1-40

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles

By Huron David

Music Perception, Vol. 19, Iss. 1, 2001-10 ,pp. : 1-64

University Of Chicago Press

Access to resources Recommend Favorite

Uniformity, Balance, and Smoothness in Atonal Voice Leading

By Straus Joseph N.

Music Theory Spectrum, Vol. 25, Iss. 2, 2003-10 ,pp. : 305-352

University Of Chicago Press

Access to resources Recommend Favorite

Proactive Interference of Differently Ordered Tone Sequences with the Accuracy and Speed of Two-Tone Frequency Comparisons

By Ruusuvirta Timo Astikainen Piia Wikgren Jan

Music Perception, Vol. 19, Iss. 4, 2002-07 ,pp. : 551-563

University Of Chicago Press

Access to resources Recommend Favorite

Schoenberg's Klangfarbenmelodie: A Principle of Early Atonal Harmony

By Cramer Alfred

Music Theory Spectrum, Vol. 24, Iss. 1, 2002-04 ,pp. : 1-34

University Of Chicago Press

Access to resources Recommend Favorite

Embodying Music: Matching Music and Dance in Memory

By Mitchell Robert W. Gallaher Matthew C.

Music Perception, Vol. 19, Iss. 1, 2001-10 ,pp. : 65-85

University Of Chicago Press

Access to resources Recommend Favorite