American Civil War re-enactors’ dress as a symbol of political beliefs

By Miller-Spillman Kimberly A.  

Critical Studies in Men's Fashion, Vol. 2, Iss. 2-3, 2015-09 ,pp. : 163-182

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Redefining the appearance of the twenty-first-century man: Tony Ferraiolo

By Hancock Joseph H.  

Critical Studies in Men's Fashion, Vol. 3, Iss. 2, 2016-09 ,pp. : 141-146

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The toxic lining of men’s fashion consumption: The omnipresent force of hegemonic masculinity

By Barry Ben  

Critical Studies in Men's Fashion, Vol. 2, Iss. 2-3, 2015-09 ,pp. : 143-161

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Look What the Cat Dragged In: Analysing gender and sexuality in the Hot Metal Centerfolds of 1980s glam metal

By Kurennaya Anya  

Critical Studies in Men's Fashion, Vol. 2, Iss. 2-3, 2015-09 ,pp. : 163-211

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‘Don’t Call Me White’: Fashioning Sami Zayn’s Arabic and transnational identities

By Roberts J. H.  

Critical Studies in Men's Fashion, Vol. 2, Iss. 2-3, 2015-09 ,pp. : 213-223

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