Under the Cover :The Creation, Production, and Reception of a Novel ( Princeton Studies in Cultural Sociology )

Publication subTitle :The Creation, Production, and Reception of a Novel

Publication series :Princeton Studies in Cultural Sociology

Author: Childress Clayton  

Publisher: Princeton University Press‎

Publication year: 2017

E-ISBN: 9781400885275

P-ISBN(Paperback): 9780691160382

Subject: G23 Publishing

Keyword: 社会学,文学评论、文学欣赏

Language: ENG

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Description

Under the Cover follows the life trajectory of a single work of fiction from its initial inspiration to its reception by reviewers and readers. The subject is Jarrettsville, a historical novel by Cornelia Nixon, which was published in 2009 and based on an actual murder committed by an ancestor of Nixon's in the postbellum South.

Clayton Childress takes you behind the scenes to examine how Jarrettsville was shepherded across three interdependent fields—authoring, publishing, and reading—and how it was transformed by its journey. Along the way, he covers all aspects of the life of a book, including the author's creative process, the role of the literary agent, how editors decide which books to acquire, how publishers build lists and distinguish themselves from other publishers, how they sell a book to stores and publicize it, and how authors choose their next projects. Childress looks at how books get selected for the front tables in bookstores, why reviewers and readers can draw such different meanings from the same novel, and how book groups across the country make sense of a novel and what it means to them.

Drawing on original survey data, in-depth interviews, and groundbreaking ethnographic fieldwork, Under the Cover reveals how decisions are made, inequalities are reproduced, and novels are built to travel in the creation, production, and consumption of culture.

Chapter

PART II: FROM CREATION TO PRODUCTION

4 Literary Agents and Double Duties: Or, Why an Author’s Success Is Out of Her Control

PART III: THE FIELD OF PRODUCTION

5 Decision Making, Taste, and Financial Commitment to Culture: Or, Why Counterpoint Press Accepted Jarrettsville after Rejecting It

6 Industry Structure and the Position and Disposition of Publishers: Or, How Some of the End of Jarrettsville Quite Literally Became the Beginning

7 Storytelling and Mythmaking: Or, How a One-Sentence Email Nearly Doubled a Print Run

PART IV: FROM PRODUCTION TO RECEPTION

8 Retailers and Reviewers: Or, How Being Placed on the Front Table Could Have Tanked Jarrettsville

PART V: THE FIELD OF RECEPTION

9 Reading Life into Novels: Or, Why a Misanthropic Thug May Not Be All Bad

10 Reading Novels into Life: Or, How a Story about the Past Became a Story about the Present

PART VI: CONNECTING THE CIRCUIT

11 Conclusion: Reconnecting Creation, Production, and Reception

Methodological Appendix: From There to Here

Acknowledgments

Notes

References

Index

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