Music from the Tang Court: Volume 7 :Some Ancient Connections Explored

Publication subTitle :Some Ancient Connections Explored

Author: Laurence E. R. Picken; Noël J. Nickson  

Publisher: Cambridge University Press‎

Publication year: 2006

E-ISBN: 9780511825941

P-ISBN(Paperback): 9780521543361

Subject: J6 Music

Keyword: 音乐

Language: ENG

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Music from the Tang Court: Volume 7

Description

The series of volumes of Music from the Tang Court considers a repertory of music at least 1400 years old. During the two centuries before 841 the Japanese Court borrowed a large amount of secular entertainment music from China. This 'Tang Music' (Togaku) survives in Japan in a substantial body of manuscripts, but is transformed in character in contemporary performance. This edition transcribes and comments on the music as it survives in its earliest sources. This process has revealed surprising evidence for ancient interconnections in Asian musics, and the essays in this seventh volume present aspects of this research to date. They provide evidence, for example, of music in a scale of four notes only from Bali and from Ancient China, as well as, most significantly, for the transportation from the Tang capital to Japan of 'several tens of scrolls of music in tablature'.

Chapter

The other musician

What happened to Ennin

And if Sadatoshi did not reach Chang'an and Liu Erlang, what then?

What happened to the repertory from Tang?

Processes of acculturation

The nature of adaptive change in the new cultural environment

The emergence of formulaic melodic embellishment

Modality: mouth-organ resistance to hemitonic pentatonicism

The modal system from Tang in the Japanese environment of the Kamakura period

The 'national' scales, and the historic role of Yatsuhashi Kengyd

The authenticity of Tang survivals in the Tdgaku manuscript-repertory

Most genres of today's 'Japanese Music' originated subsequent to the importation of musics from Paekche, Silla, Koma, Tang and Wu

The reality of Sadatoshi's visit to Chang'an

2 In search of the music of pre-Nara Japan.

Music of Bird-Dances

Music of the Gionmatsuri

3 'Old Music', 'New Music', and other classificatory terms in the musical vocabularies of Late Nara, and Heian, Japan.

I

II

III

4 Locational and functional names of notes in modal note-sets across Eurasia

Introduction

Diffusion', 'Transit', 'Transmission', 'Transport' of ideas and artifacts

The diffusion analogy and the role of need

Local musics and the phenomenon of modality

Endings, Beginnings and Betweens

The Double-Octave Series

Endings and Tetrachords

Beginnings

Betweens

The Between-String

The Trumpet

Stops or Pauses by the Way: Intermediate Cadences

Echoes

Holds

Interposed Betweens, and Mediants

Tenor, Repercussa, Dominant

'Pitch-Related Governance' (Powers, 1980, p. 427 b) and 'Tonic' versus 'Final'

Stimulus Diffusion yet again

5 Modal note-sets and related matters

Ancient China

Ancient & Modern India, & in Persia

Ancient Greece

Tetrachords

The sources of a melodic tetrachordal unit

The song of Cuculus canorus

The song of Cuculus canorus and Mahler's simulation

... and yet further East?

6 The Modal System of Togaku as a Vestige of the 28 Mode-Keys of the Tang Inheritance: Different Modes with Like Finals; Like Modes with Different Finals

7 Parallels in the Organization of Music in Time in Indonesia, Ancient India and Ancient China

Envoi

Cumulative bibliography

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