The Sexual Imperative in the Novels of Sir Henry Rider Haggard ( 1 )

Publication series :1

Author: Reeve   Richard  

Publisher: Anthem Press‎

Publication year: 2018

E-ISBN: 9781783087648

P-ISBN(Paperback): 9781783087631

Subject: I106 the classics and study

Keyword: 作品评论和研究

Language: ENG

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Description

‘The Sexual Imperative in the Novels of Sir Henry Rider Haggard’ offers a detailed and previously undocumented account of how the writer’s emotional experiences, primarily in the sexual arena, consistently informed and enriched his fiction.

Chapter

Cover

Chapter Int-7

Introduction

Chapter One The Sexual Imperative

Chapter Two: The Origins Of Haggard’s Fictional Writing

Romance and Realism

The Attractions for Haggard of Romance Writing

Haggard’s Perseverance with His Novels

Doctor Therne

Haggard’s Attitude towards Writing

Haggard’s Early Life

Haggard’s Relationship with His Father

Haggard’s Relationship with His Mother

Lilly Jackson

Johanna Ford

Haggard’s Wife, Louisa Margitson

Agnes Barber

Conclusion

Chapter Three: The Early Novels (1884–95): Youthful Anger

Haggard’s Contemporary Biographical Experiences

Dawn and Its Biographical Resonances

The Witch’s Head and Its Biographical Resonances

Colonel Quaritch V. C. and Its Biographical Resonances

Joan Haste and Its Biographical Resonances

The Stereotypical Nature of Haggard’s Male and Female Characters

Sexually Potent and Sexually Vulnerable Women, and Their Roots in Haggard’s Biography

Feminine Sexual Vulnerability

The Punishment of Disruptive Women

The Destructive Impact upon Men of Desirable but Benign Women

Men’s Share of the Blame for Their Sexual Excesses

The Consequences of the Sexual Imperative: Sexual Jealousy, Moral Disintegration and Violence

The Sins of the Father

Consolatory and Redemptive Women

Negative Depictions of Marriage

Spiritual Love and Love in an Afterlife

Conclusions

Chapter Four: The New Woman, Female Self-Sacrifice And Spirituality (1887–1901)

Jess and Its Biographical Resonances

Beatrice and Its Biographical Overtones

The New Woman

Jess and Beatrice as Sexually Passionate and Sexually Potent Women

The Sexually Passionate Women of Haggard’s Romances

Jess and Beatrice’s Impact upon Their Lovers

The Moral Dilemmas in Jess, Beatrice and Joan Haste

What Happens Between the Lovers in Jess and Beatrice; Moral Judgements and the Drift of the Subtext

The Spirituality of Jess and Beatrice

Conclusion

Chapter Five: Spiritual Love And Sexual Renunciation (1899–1908)

Haggard’s Contemporary Biography

The Contemporary Interest in Spiritualism

Haggard’s Experience with Aspects of Spiritualism and His Fascination with the Concept of an Afterlife

Stella Fregelius and Its Biographical Resonances

The Way of the Spirit and Its Biographical Resonances

The Question of Celibacy

The Capacities and Limitations of Spirituality and Spiritual Intimacy

Female Power and Female Divinity

Spiritual Communication between Lovers

The Reunion of Lovers in an Afterlife

Communication with the Dead

Conclusions

Chapter Six: The Final Fiction: Spiritual Consolation And The Dictates Of The Sexual Imperative (1909–30)

Haggard’s Contemporary Biography

Love Eternal and Its Biographical Resonances

Mary of Marion Isle and Its Biographical Resonances

The Sexual Potency of Women: Representations of Female Sexuality in Haggard’s Late Fiction

Female Self-Sacrifice

The Influence of the Great War upon Love Eternal and Certain of Haggard’s Contemporary Romances

Haggard’s Emphasis in His Fiction upon Spirituality and the Spiritual Union of Lovers

Reticence about Sex but Subtle Assertions of the Pull of the Sexual Imperative

Mutual Spirituality and the Divine and Eternal Aspects of Spiritual Love

The Reunion of Lovers in an Afterlife

The Dangers of Aspects of Spiritualism

Attempts to Communicate with the Dead

The Newness of Love Eternal

Male Ability to Survive Emotional Betrayals by Females

Criticism of the Established Church

Scrutiny of Marital Relationships

The Sexual Imperative and Sex Outside Marriage

Haggard as Modernist

Chapter Seven: Summation: A Personal Odyssey

Identical Concerns in Haggard’s Romances

Women in Haggard’s Fiction

Men in Haggard’s Fiction

Personal Issues in Haggard’s Fiction

The Close Similarities between Haggard’s Novels and Romances

The Integrity of Haggard’s Fiction

Appendix: Plot Summaries

Dawn (1884)

The Witch’s Head (1884)

Jess (1887)

Colonel Quaritch V.C.: A Tale of Country Life (1888)

Beatrice (1890)

Joan Haste (1895)

Dr Therne (1898)

Stella Fregelius (1904)

The Way of the Spirit (1906)

Love Eternal (1918)

Mary of Marion Isle (1929)

Notes

Introduction

Chapter One The Sexual Imperative

Chapter Two The Origins of Haggard’s Fictional Writing

Chapter Three The Early Novels (1884–95): Youthful Anger

Chapter Four The New Woman, Female Self-Sacrifice and Spirituality (1887–1901)

Chapter Five Spiritual Love and Sexual Renunciation (1899–1908)

Chapter Six The Final Fiction: Spiritual Consolation and the Dictates of the Sexual Imperative (1909–30)

Chapter Seven Summation: A Personal Odyssey

End Matter

Bibliography

Letters and Journals

Primary Works and Editions Consulted

Secondary Works

Index

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