节拍的“重组”——以约翰·科瑞里亚诺《大马戏》、《花衣笛手幻想曲》两部作品为例

Publisher: 国家哲学社会科学学术期刊数据库

E-ISSN: 1001-5736|33|1|124-131

ISSN: 1001-5736

Source: 乐府新声:沈阳音乐学院学报, Vol.33, Iss.1, 2015-01, pp. : 124-131

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Abstract