从约翰·凯奇的《4分33秒》和谭盾的《鬼戏》看后现代主义音乐哲学

Publisher: 国家哲学社会科学学术期刊数据库

E-ISSN: 1002-767x|37|20|253-253

ISSN: 1002-767x

Source: 北方音乐, Vol.37, Iss.20, 2017-01, pp. : 253-253

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Abstract