Description
In this innovative book, Keith Watenpaugh connects the question of modernity to the formation of the Arab middle class. The book explores the rise of a middle class of liberal professionals, white-collar employees, journalists, and businessmen during the first decades of the twentieth century in the Arab Middle East and the ways its members created civil society, and new forms of politics, bodies of thought, and styles of engagement with colonialism.
Discussions of the middle class have been largely absent from historical writings about the Middle East. Watenpaugh fills this lacuna by drawing on Arab, Ottoman, British, American and French sources and an eclectic body of theoretical literature and shows that within the crucible of the Young Turk Revolution of 1908, World War I, and the advent of late European colonialism, a discrete middle class took shape. It was defined not just by the wealth, professions, possessions, or the levels of education of its members, but also by the way they asserted their modernity.
Using the ethnically and religiously diverse middle class of the cosmopolitan city of Aleppo, Syria, as a point of departure, Watenpaugh explores the larger political and social implications of what being modern meant in the non-West in the first half of the twentieth century.
Well researched and provocative, Being Modern in the Middle East makes a critical contribution not just to Middle East history, but also to the global study of class, mass violence, ideas, and revolution.
Chapter
SECTION I Being Modern in a Time of Revolution: The Revolution of 1908 and the Beginnings of Middle-Class Politics (1908–1918)
SECTION I Being Modern in a Time of Revolution: The Revolution of 1908 and the Beginnings of Middle-Class Politics (1908–1918)
THREE Ottoman Precedents (I): Journalism, Voluntary Association, and the “True Civilization” of the Middle Class
THREE Ottoman Precedents (I): Journalism, Voluntary Association, and the “True Civilization” of the Middle Class
FOUR Ottoman Precedents (II): The Technologies of the Public Sphere and the Multiple Deaths of the Ottoman Citizen
FOUR Ottoman Precedents (II): The Technologies of the Public Sphere and the Multiple Deaths of the Ottoman Citizen
SECTION II Being Modern in a Moment of Anxiety: The Middle Class Makes Sense of a “Postwar” World(1918–1924)—Historicism, Nationalism, and Violence
SECTION II Being Modern in a Moment of Anxiety: The Middle Class Makes Sense of a “Postwar” World(1918–1924)—Historicism, Nationalism, and Violence
FIVE Rescuing the Arab from History: Halab, Orientalist Imaginings, Wilsonianism, and Early Arabism
FIVE Rescuing the Arab from History: Halab, Orientalist Imaginings, Wilsonianism, and Early Arabism
SIX The Persistence of Empire at the Moment of Its Collapse: Ottoman-Islamic Identity and “New Men” Rebels
SIX The Persistence of Empire at the Moment of Its Collapse: Ottoman-Islamic Identity and “New Men” Rebels
SEVEN Remembering the Great War: Allegory, Civic Virtue, and Conservative Reaction
SEVEN Remembering the Great War: Allegory, Civic Virtue, and Conservative Reaction
SECTION III Being Modern in an Era of Colonialism Middle-Class Modernity and the Culture of the French Mandate for Syria (1925–1946)
SECTION III Being Modern in an Era of Colonialism Middle-Class Modernity and the Culture of the French Mandate for Syria (1925–1946)
EIGHT Deferring to the A'yan The Middle-Class and the Politics of Notables
EIGHT Deferring to the A'yan The Middle-Class and the Politics of Notables
NINE Middle-Class Fascism and the Transformation of Civil Violence Steel Shirts, White Badges, and the Last Qabaday
NINE Middle-Class Fascism and the Transformation of Civil Violence Steel Shirts, White Badges, and the Last Qabaday
TEN Not Quite Syrians: Aleppo’s Communities of Collaboration
TEN Not Quite Syrians: Aleppo’s Communities of Collaboration
ELEVEN Coda: The Incomplete Project of Middle-Class Modernity and the Paradox of Metropolitan Desire
ELEVEN Coda: The Incomplete Project of Middle-Class Modernity and the Paradox of Metropolitan Desire