Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race

Publisher： Cambridge University Press

E-ISSN： 1752-1971|3|3|341-363

ISSN： 1752-1963

Source： Journal of the Society for American Music, Vol.3, Iss.3, 2009-08, pp. : 341-363

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Unlearning Whiteness, rethinking race issues in graduate music education

By Bradley Deborah   Golner Ronald   Hanson Sarah  

Music Education Research, Vol. 9, Iss. 2, 2007-07 ,pp. : 293-304

Routledge Ltd

Access to resources Recommend Favorite

Eminem's Construction of Authenticity

By Armstrong Edward G.  

Popular Music & Society, Vol. 27, Iss. 3, 2004-10 ,pp. : 335-355

Routledge Ltd

Access to resources Recommend Favorite

Signifying the spiritual in the music of Yes

By Moore Allan  

Contemporary Music Review, Vol. 14, Iss. 3-4, 1996-01 ,pp. : 25-33

Routledge Ltd

Access to resources Recommend Favorite

JOHN CAGE'S ‘WHITENESS’: ‘CHEAP IMITATION’

By  

Tempo, Vol. 65, Iss. 258, 2011-10 ,pp. : 11-19

Cambridge University Press

Access to resources Recommend Favorite

The Abduction of the Signifying Monkey Chant: Schizophonic Transmogrifications of Balinese Kecak in Fellini's Satyricon and the Coen Brothers' Blood Simple

By Bakan Michael  

Ethnomusicology Forum, Vol. 18, Iss. 1, 2009-06 ,pp. : 83-106

Routledge Ltd

Access to resources Recommend Favorite