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Cambridge University Press

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“Of course there is no such thing as a socialist handstand, but …”: Socialism, Humanism, and Virtuosity in East German Variety Theatre Practice during the 1950s and 1960s

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On the Theology of Romeo Castellucci's Theatre and the Politics of the Christian ‘Occupation’ of His Stage

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A More Humane Mikado: Re-envisioning the Nation through Occupation-Era Productions of The Mikado in Japan ¹

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