Related content

Hitchcock, Hume, and the Matrix of Modern Cinema: John Orr (2005) Hitchcock and Twentieth-Century Cinema

By Sterritt David  

Film-Philosophy, Vol. 11, Iss. 3, 2007-10 ,pp. : 238-246

Edinburgh University Press

Access to resources Recommend Favorite

Crowd or chorus? Howard Barker's mise-en-scène and the tradition of the chorus in the European theatre of the twentieth century

By Peters Jens  

Studies in Theatre & Performance, Vol. 32, Iss. 3, 2012-11 ,pp. : 305-316

Intellect Books

Access to resources Recommend Favorite

Australian fantasies of colonial power in late twentieth century film: Orientalism and The Year of Living Dangerously

By Hoorn Jeanette   Creed Barbara  

Transnational Cinemas, Vol. 3, Iss. 2, 2012-10 ,pp. : 177-192

Intellect Books

Access to resources Recommend Favorite

Something Borrowed, Something New: Ye Ban Ge Sheng (Song at Midnight) and the Cross- Cultural Reinterpretations of Horror in Twentieth Century China

By Chua John  

Asian Cinema, Vol. 16, Iss. 2, 2005-09 ,pp. : 122-146

Intellect Books

Access to resources Recommend Favorite

Trashing Marilyn: Reflections of a metabiographer

By Churchwell Sarah  

Film, Fashion & Consumption, Vol. 4, Iss. 2-3, 2015-12 ,pp. : 145-157

Intellect Books

Access to resources Recommend Favorite