Flat Film: Strategies of Depthlessness in Pleasantville and La Haine

Author： Vermeulen Timotheus  

Publisher： Edinburgh University Press

E-ISSN： 1466-4615|22|2|168-183

ISSN： 1466-4615

Source： Film-Philosophy, Vol.22, Iss.2, 2018-06, pp. : 168-183

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Blood, sweat and tears: failed mappings of un-abjection in Hostage and La Haine

By Lampropoulos Apostolos  

Studies in European Cinema, Vol. 9, Iss. 2-3, 2012-09 ,pp. : 197-210

Intellect Books

Access to resources Recommend Favorite

Latin American transnational film: Divergent practice in Ricardo de Montreuil's La mujer de mi hermano and Máncora

By Ross Miriam  

Transnational Cinemas, Vol. 3, Iss. 2, 2012-10 ,pp. : 193-209

Intellect Books

Access to resources Recommend Favorite

Paula Amad (2010) Counter-Archive: Film, the Everyday, and Albert Kahn's Archives de la Planète

By Groo Katherine  

Film-Philosophy, Vol. 16, Iss. 1, 2012-12 ,pp. : 263-269

Edinburgh University Press

Access to resources Recommend Favorite

Film Reviews

By Buhle Paul   James Mark  

Film International, Vol. 11, Iss. 3-4, 2013-08 ,pp. : 167-172

Intellect Books

Access to resources Recommend Favorite

Film International

By  

Film International, Vol. 14, Iss. 2, 2016-06 ,pp. : 212-214

Intellect Books

Access to resources Recommend Favorite