Software Sequencers and Cyborg Singers: Popular Music in the Digital Hypermodern

ISSN： 0950-2378

Source： New Formations, Vol.66, Iss.1, 2009-03, pp. : 81-99

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Related content

After the Cyborg

By Terranova Tiziana

New Formations, Vol. 54, Iss. 1, 2004-12 ,pp. : 173-177

Lawrence and Wishart

Access to resources Recommend Favorite

'We're a Winner': Popular Music and the Black Power Movement

By Freeland Gregory

Social Movement Studies, Vol. 8, Iss. 3, 2009-08 ,pp. : 261-288

Routledge Ltd

Access to resources Recommend Favorite

Rap, Recidivism and the Creative Self: A Popular Music Programme for Young Offenders in Detention

By Baker Sarah Homan Shane

Journal of Youth Studies, Vol. 10, Iss. 4, 2007-09 ,pp. : 459-476

Routledge Ltd

Access to resources Recommend Favorite

Sexy Shapes: Girls Negotiating Gender through Popular Music

By Werner Ann

Girlhood Studies, Vol. 6, Iss. 2, 2013-01 ,pp. : 30-46

Berghahn Journals

Access to resources Recommend Favorite

The Production of Popular Music as a Confidence Game: The Case of the Chicago Blues

By Grazian David

Qualitative Sociology, Vol. 27, Iss. 2, 2004-22 ,pp. : 137-158

Springer Publishing Company

Access to resources Recommend Favorite