The costume of MoCap: A spatial collision of velcro, avatar and Oskar Schlemmer

Publisher： Intellect Books

ISSN： 2044-3714

Source： Scene, Vol.2, Iss.1-2, 2014-10, pp. : 221-232

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Critical costume

By  

Scene, Vol. 2, Iss. 1-2, 2014-10 ,pp. : 3-8

Intellect Books

Access to resources Recommend Favorite

Costume and Representation

By  

The International Journal of Social, Political and Community Agendas in the Arts, Vol. 7, Iss. 2, 2013-01 ,pp. : 75-83

Common Ground Publishing

Access to resources Recommend Favorite

Alarming the heart: Costume as performative body-object-event

By  

Scene, Vol. 2, Iss. 1-2, 2014-10 ,pp. : 15-34

Intellect Books

Access to resources Recommend Favorite

The art of costume design: The work of Dunya Ramicova

By  

Art Libraries Journal, Vol. 42, Iss. 1, 2016-12 ,pp. : 41-46

Cambridge University Press

Access to resources Recommend Favorite

Frederick Jackson Turner’s “Frontier Thesis”, Avatar (2009), and the Representation of Native Americans in Hollywood Film

By  

The International Journal of the Arts in Society: Annual Review, Vol. 5, Iss. 6, 2011-01 ,pp. : 197-210

Common Ground Publishing

Access to resources Recommend Favorite