Chapter
1. Expressionist Cinema—
Style and Design in Film History
2. Of Nerves and Men: Postwar Delusion and Robert Reinert’s Nerven
3. Franjo Ledic: A Forgotten Pioneer of German Expressionism
4. Expressionist Film and Gender: Genuine, A Tale of a Vampire (1920)
5. “The Secrets of Nature and Its Unifying Principles”: Nosferatu (1922) and Jakob von Uexküll on Umwelt
6. Raskolnikow (1923): Russian Literature as Impetus for German Expressionism
7. The Austrian Connection: The Frame Story and Insanity in Paul Czinner’s Inferno (1919) and Fritz Freisler’s The Mandarin (1918)
8. “The reawakening of French cinema”:
9. Here Among the Dead: The Phantom Carriage (1921) and the Cinema of the Occulted Taboo
10. Drakula halála (1921): The Cinema’s First Dracula
11. Le Brasier ardent (1923): Ivan Mosjoukine’s clin d’œil to German xpressionism
12. Nietzsche’s Fingerprints on The Hands of Orlac (1924)
13. “True, Nervous”: American Expressionist Cinema and the Destabilized Male
14. Dos monjes (1934) and the Tortured Search for Truth
15. Maya Deren in Person in Expressionism