The Sublime and French Seventeenth-Century Theories of the Spectacle: Toward an Aesthetic Approach to Performance

E-ISSN： 1475-4533|58|2|209-232

ISSN： 0040-5574

Source： Theatre Survey, Vol.58, Iss.2, 2017-04, pp. : 209-232

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Molière and the Circumstances of Late Seventeenth-Century Rehearsal Practice

Theatre Research International, Vol. 33, Iss. 3, 2008-10 ,pp. : 250-262

Cambridge University Press

Access to resources Recommend Favorite

Chaucer, Medieval Drama and a Newly Discovered Seventeenth-Century Play: The Survival of Medieval Stereotypes?

By Baldwin Elizabeth

Ludus. Medieval and Early Renaissance Theatre and Drama, Vol. 6, Iss. 1, 2002-04 ,pp. : 85-102

Rodopi

Access to resources Recommend Favorite

SPECTACLE, PERFORMANCE, THEATRE: THE 2010 STUDENT STRIKE AT THE UNIVERSITY OF PUERTO RICO

Theatre Survey, Vol. 52, Iss. 1, 2011-05 ,pp. : 139-152

Cambridge University Press

Access to resources Recommend Favorite

A dramaturgy of digital sound: Towards an aesthetic approach

By Wilkins Caroline

International Journal of Performance Arts & Digital Media, Vol. 9, Iss. 2, 2013-08 ,pp. : 329-345

Intellect Books

Access to resources Recommend Favorite

Portrait of a Seventeenth Century Playhouse: Il Teatro Dei Comici, Mantova

Theatre Survey, Vol. 28, Iss. 2, 1987-11 ,pp. : 17-26

Cambridge University Press

Access to resources Recommend Favorite