Corporeal Disintegration as Last-Gasp Vocal Act: the Final Works of Murobushi, Artaud, and Chéreau

E-ISSN： 1474-0613|33|2|169-178

ISSN： 0266-464x

Source： New Theatre Quarterly, Vol.33, Iss.2, 2017-04, pp. : 169-178

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

The 'Darkness' at the End of the Theatre: Chéreau, Koltès, Nanterre

By Fancy David

Contemporary Theatre Review, Vol. 14, Iss. 4, 2004-11 ,pp. : 68-82

Routledge Ltd

Access to resources Recommend Favorite

Cruel Vibrations: Sounding Out Antonin Artaud's Production of Les Cenci¹

Theatre Research International, Vol. 35, Iss. 3, 2010-10 ,pp. : 250-262

Cambridge University Press

Access to resources Recommend Favorite

Final Reflections

Theatre Research International, Vol. 34, Iss. 2, 2009-07 ,pp. : 206-206

Cambridge University Press

Access to resources Recommend Favorite

How Do You Make Yourself a Theatre without Organs? Deleuze, Artaud and the Concept of Differential Presence

Theatre Research International, Vol. 34, Iss. 3, 2009-10 ,pp. : 243-255

Cambridge University Press

Access to resources Recommend Favorite

Corporeal Eloquence and Sensate Cognition: G. E. Lessing, Acting Theory, and Properly Feeling Bodies in Eighteenth-Century Germany

Theatre Survey, Vol. 58, Iss. 2, 2017-04 ,pp. : 162-185

Cambridge University Press

Access to resources Recommend Favorite