The delirious vision: the vogue for the hand-held camera in Soviet cinema of the 1920s

ISSN： 1750-3140

Source： Studies in Russian & Soviet Cinema, Vol.7, Iss.1, 2013-03, pp. : 5-24

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

The Production of Modernity in Japanese National Cinema: Shochiku Kamata Style in the 1920s and 1930s

By Wada-Marciano Mitsuyo

Asian Cinema, Vol. 9, Iss. 2, 1998-03 ,pp. : 69-93

Intellect Books

Access to resources Recommend Favorite

The first films of Igor' Savchenko and the generational change of the Soviet avant-garde at the end of the 1920s: Savchenko, Medvedkin, Kalatozov

By Izvolov Nikolai

Studies in Russian & Soviet Cinema, Vol. 6, Iss. 3, 2012-12 ,pp. : 347-355

Intellect Books

Access to resources Recommend Favorite

The homogenous thinking subject, or Soviet cinema learns to sing

By Kaganovsky Lilya

Studies in Russian & Soviet Cinema, Vol. 6, Iss. 3, 2012-12 ,pp. : 281-299

Intellect Books

Access to resources Recommend Favorite

A first in cinema … stereoscopic films in Russia and the Soviet Union

By Mayorov Nikolai

Studies in Russian & Soviet Cinema, Vol. 6, Iss. 2, 2012-09 ,pp. : 217-239

Intellect Books

Access to resources Recommend Favorite

Laura Rascaroli (2009) The Personal Camera: Subjective Cinema and the Essay Film

By Nardelli Matilde

Film-Philosophy, Vol. 14, Iss. 2, 2010-10 ,pp. : 191-195

Edinburgh University Press

Access to resources Recommend Favorite