The violence of silence: Vocal provocation in the cinema of Michael Haneke

ISSN： 2040-0594

Source： Studies in European Cinema, Vol.9, Iss.2-3, 2012-09, pp. : 87-97

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Catherine Wheatley (2009) Michael Haneke's Cinema: The Ethic of the Image

By Bleasdale John Anthony

Film-Philosophy, Vol. 16, Iss. 1, 2012-12 ,pp. : 246-250

Edinburgh University Press

Access to resources Recommend Favorite

Yun-hua Chen (2017) Mosaic Space and Mosaic Auteurs: On the Cinema of Alejandro González Iñárritu, Atom Egoyan, Hou Hsiao-hsien and Michael Haneke

By Ewa Wrochna Agata

Film-Philosophy, Vol. 22, Iss. 3, 2018-10 ,pp. : 501-505

Edinburgh University Press

Access to resources Recommend Favorite

Tension, transition and tone in Michael Haneke's Cach

By Hubner Laura

Studies in European Cinema, Vol. 9, Iss. 2-3, 2012-09 ,pp. : 99-108

Intellect Books

Access to resources Recommend Favorite

Strange Contracts: Elfriede Jelinek and Michael Haneke

By Lebeau Vicky

Projections, Vol. 1, Iss. 2, 2007-12 ,pp. : 57-82

Berghahn Journals

Access to resources Recommend Favorite

Haptic Aurality: Resonance, Listening and Michael Haneke

By Coulthard Lisa

Film-Philosophy, Vol. 16, Iss. 1, 2012-12 ,pp. : 16-29

Edinburgh University Press

Access to resources Recommend Favorite