Transcending the Limitations: Women and the Post-revolutionary Iranian Cinema

ISSN： 1066-9922

Source： Critique, Vol.16, Iss.2, 2007-06, pp. : 191-206

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

From Iran to Hollywood and Some Places In-Between: Reframing Post-Revolutionary Iranian Cinema

By Pye Michael

Asian Affairs, Vol. 43, Iss. 3, 2012-11 ,pp. : 488-490

Routledge Ltd

Access to resources Recommend Favorite

Indigenous Performing Traditions in Post-Revolutionary Iranian Theater

By Talajooy Saeed

Iranian Studies, Vol. 44, Iss. 4, 2011-07 ,pp. : 497-519

Routledge Ltd

Access to resources Recommend Favorite

University entrance examination and the making of an Islamic society in Iran: a study of the post-revolutionary Iranian approach to "konkur"

By Sakurai Keiko

Iranian Studies, Vol. 37, Iss. 3, 2004-09 ,pp. : 385-406

Routledge Ltd

Access to resources Recommend Favorite

Enveloping music in gender, nation, and Islam: Women's music festivals in post-revolutionary Iran1

By DeBano Wendy

Iranian Studies, Vol. 38, Iss. 3, 2005-09 ,pp. : 441-462

Routledge Ltd

Access to resources Recommend Favorite

Iran's Struggle for Economic Independence: Reform and Counter-Reform in the Post-Revolutionary Era

By Harris Kevan

Iranian Studies, Vol. 46, Iss. 3, 2013-05 ,pp. : 484-488

Routledge Ltd

Access to resources Recommend Favorite