Washed in Blood: male sacrifice, trauma, and the cinema; Masculinity and Film Performance: male angst in contemporary American cinema

Author： Faucette Brian

Publisher： Routledge Ltd

ISSN： 1465-3451

Source： Historical Journal of Film, Radio and Television, Vol.32, Iss.3, 2012-09, pp. : 459-462

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film

By Kraszewski Jon

Quarterly Review of Film and Video, Vol. 25, Iss. 5, 2008-10 ,pp. : 431-434

Routledge Ltd

Access to resources Recommend Favorite

The Producer as Salesman: Jeremy Thomas, Film Promotion and Contemporary Transnational Independent Cinema

By Meir Christopher

Historical Journal of Film, Radio and Television, Vol. 29, Iss. 4, 2009-12 ,pp. : 467-481

Routledge Ltd

Access to resources Recommend Favorite

The politics of Hollywood cinema: popular film and contemporary political theory

By Steenberg Lindsay

New Review of Film and Television Studies, Vol. 12, Iss. 2, 2014-04 ,pp. : 221-224

Routledge Ltd

Access to resources Recommend Favorite

Deleuze and cinema: the film concepts

By Kiat Goh Wee

New Review of Film and Television Studies, Vol. 10, Iss. 4, 2012-12 ,pp. : 485-488

Routledge Ltd

Access to resources Recommend Favorite

Film, cinema, television … media?

By Uricchio William

New Review of Film and Television Studies, Vol. 12, Iss. 3, 2014-07 ,pp. : 266-279

Routledge Ltd

Access to resources Recommend Favorite