Poetry and intensification in Howard Barker's theatre of plethora

By Gritzner Karoline  

Studies in Theatre & Performance, Vol. 32, Iss. 3, 2012-11 ,pp. : 337-345

Intellect Books

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Crowd or chorus? Howard Barker's mise-en-scène and the tradition of the chorus in the European theatre of the twentieth century

By Peters Jens  

Studies in Theatre & Performance, Vol. 32, Iss. 3, 2012-11 ,pp. : 305-316

Intellect Books

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Chasing the ellipses: Staging Howard Barker's The Forty (Few Words)

By Rabey David Ian  

Studies in Theatre & Performance, Vol. 32, Iss. 3, 2012-11 ,pp. : 285-304

Intellect Books

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Live – Art or Theatre?

By Kriebel Seth  

Total Theatre Magazine, Vol. 17, Iss. 3, 2005-09 ,pp. : 13-13

Winchester University

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`History Repeating Itself?': Text and image, theatre and performance: Howard Brenton and David Edgar's appropriation of the historical drama

By Bull John  

Studies in Theatre & Performance, Vol. 33, Iss. 2, 2013-05 ,pp. : 169-185

Intellect Books

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