Daniel Deronda as Tragicomedy

Author： Brown Catherine  

Publisher： Oxford University Press

ISSN： 0014-0856

Source： Essays in Criticism, Vol.59, Iss.4, 2009-10, pp. : 302-323

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

DANIEL DERONDA AND THE ETHICS OF ALTERITY

By Hollander Rachel  

LIT: Literature Interpretation Theory, Vol. 16, Iss. 1, 2005-01 ,pp. : 75-99

Routledge Ltd

Access to resources Recommend Favorite

CONVENIENT COSMOPOLITANISM: DANIEL DERONDA, NATIONALISM, AND THE CRITICS

By  

Victorian Literature and Culture, Vol. 45, Iss. 3, 2017-08 ,pp. : 593-614

Cambridge University Press

Access to resources Recommend Favorite

The Cultural Politics of Disguise: Female Cross-Dressing in Tragi-Comedy (1630-1642)

By Conroy Derval  

Seventeenth-Century French Studies, Vol. 24, Iss. 1, 2002-06 ,pp. : 135-149

Maney Publishing

Access to resources Recommend Favorite

Love's Victory and La Mirtilla in the canon of renaissance tragicomedy: an examination of the influence of salon and social debates

By Campbell Julie  

Women's Writing, Vol. 4, Iss. 1, 1997-03 ,pp. : 103-125

Routledge Ltd

Access to resources Recommend Favorite

The importance of being Daniel Santos

By Sánchez Luis Rafael  

Review: Literature and Arts of the Americas, Vol. 37, Iss. 1, 2004-05 ,pp. : 122-125

Routledge Ltd

Access to resources Recommend Favorite