

Author: Whitehouse Glenn
Publisher: Oxford University Press
ISSN: 0269-1205
Source: Literature and Theology, Vol.18, Iss.3, 2004-09, pp. : 321-350
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Abstract
This paper addresses the combination of theology and humanism by reflecting on Christian identity. Beginning with Paul Ricoeur's theory of fiction as a laboratory of ‘imaginative variations’ on the possibilities of ethical selfhood, I ask: if the world projected by the Christian scriptures overturns human possibilities, what happens to the Christian self's ethical responsibility' I analyse the motion pictures Fight Club, Memento, and The Matrix to interpret extreme cases or ‘unimaginable variations’ on the theme of conversion among broken, fragmented, and manipulated selves. I argue that The Matrix presents a form of conversion most conducive to fulfilling ethical responsibility.
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