Both Sides of the Camera: Roscoe “Fatty” Arbuckle's Evolution at Keystone

ISSN： 1050-9208

Source： Quarterly Review of Film and Video, Vol.26, Iss.4, 2009-07, pp. : 339-352

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Early Charlie Chaplin: the artist as apprentice at Keystone Studios

By Mifflin Jeffrey

Historical Journal of Film, Radio and Television, Vol. 33, Iss. 1, 2013-03 ,pp. : 157-159

Routledge Ltd

Access to resources Recommend Favorite

Murnau's The Last Laugh and Hitchcock's Subjective Camera

By Bade James

Quarterly Review of Film and Video, Vol. 23, Iss. 3, 2006-07 ,pp. : 257-266

Routledge Ltd

Access to resources Recommend Favorite

Hysteria and the Camera in Letter from an Unknown Woman

By Jellerson Donald

Quarterly Review of Film and Video, Vol. 28, Iss. 1, 2011-01 ,pp. : 13-27

Routledge Ltd

Access to resources Recommend Favorite

CLIPS - a camera and laser-based indoor positioning system

By Tilch Sebastian Mautz Rainer

Journal of Location Based Services, Vol. 7, Iss. 1, 2013-03 ,pp. : 3-22

Taylor & Francis Ltd

Access to resources Recommend Favorite

The evolution of conferencing

By Parke I.

BT Technology Journal, Vol. 15, Iss. 4, 1997-10 ,pp. : 19-25

Springer Publishing Company

Access to resources Recommend Favorite