The Construction of “Street Credibility” in Atlanta's Hip-Hop Music Scene: Analyzing the Role of Cultural Gatekeepers

ISSN： 1529-5036

Source： Critical Studies in Media Communication, Vol.29, Iss.4, 2012-10, pp. : 313-330

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

The Hip-Hop club scene: Gender, grinding and sex

By Muñoz-Laboy Miguel Weinstein Hannah Parker Richard

Culture, Health & Sexuality, Vol. 9, Iss. 6, 2007-11 ,pp. : 615-628

Routledge Ltd

Access to resources Recommend Favorite

HIP-HOP AND CULTURAL CITIZENSHIP ON KENYA'S ‘SWAHILI COAST’

Africa: The Journal of the International African Institute, Vol. 82, Iss. 4, 2012-11 ,pp. : 556-578

Cambridge University Press

Access to resources Recommend Favorite

Online Jihadism for the Hip-Hop Generation

The International Journal of Interdisciplinary Social Sciences: Annual Review, Vol. 2, Iss. 4, 2007-01 ,pp. : 7-20

Common Ground Publishing

Access to resources Recommend Favorite

Hip-Hop Hybridity for a Glocalized World

The Global Studies Journal, Vol. 2, Iss. 3, 2009-01 ,pp. : 121-144

Common Ground Publishing

Access to resources Recommend Favorite

Keeping it real: reality and representation in Maasai Hip-Hop

By Thompson Katrina Daly

Journal of African Cultural Studies, Vol. 20, Iss. 1, 2008-06 ,pp. : 33-44

Routledge Ltd

Access to resources Recommend Favorite