“Don't Tread on Me”: The Ethos of '60s Garage Punk

By Bovey Seth  

Popular Music & Society, Vol. 29, Iss. 4, 2006-10 ,pp. : 451-459

Routledge Ltd

Access to resources Recommend Favorite

“They Don't Care About Us”: Michael Jackson's Black Nationalism

By Rossiter Brian  

Popular Music & Society, Vol. 35, Iss. 2, 2012-05 ,pp. : 203-222

Routledge Ltd

Access to resources Recommend Favorite

“Who Don't Care If The Money's No Good?”: Authenticity and The Band

By Svec Henry Adam  

Popular Music & Society, Vol. 35, Iss. 3, 2012-07 ,pp. : 427-445

Routledge Ltd

Access to resources Recommend Favorite

“It Don't Mean a Thing If It Ain't Got That Swing” – Simulating Expressive Timing by Modulated Movements

By Waadeland Carl Haakon  

Journal of New Music Research, Vol. 30, Iss. 1, 2001-03 ,pp. : 23-37

Routledge Ltd

Access to resources Recommend Favorite

The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's “Don't Stop 'Til You Get Enough”

By Danielsen Anne  

Popular Music & Society, Vol. 35, Iss. 2, 2012-05 ,pp. : 151-168

Routledge Ltd

Access to resources Recommend Favorite