Transcultural Sounds: Music, Identity, and the Cinema of Wong Kar-wai

By Yeh Emilie Yueh-yu   Hu Lake Wang  

Asian Cinema, Vol. 19, Iss. 1, 2008-03 ,pp. : 32-46

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Subjective Culture and History: The Ethnographic Cinema of Wong Kar-wai

By Tsui Curtis K.  

Asian Cinema, Vol. 7, Iss. 2, 2012-08 ,pp. : 93-124

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Reflections on a Screen Narcissist: Leslie Cheung's Star Persona in the Films of Wong Kar-wai

By Bettinson Gary  

Asian Cinema, Vol. 16, Iss. 1, 2005-03 ,pp. : 220-238

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Driving the Blues Away: Yuan and Letting Go in Wong Kar-Wai's My Blueberry Nights

By Crawford Elizabeth Crisp   Gleason Timothy R.   Yu Nan  

Asian Cinema, Vol. 22, Iss. 2, 2012-02 ,pp. : 381-398

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“All Memories Are Traces of Tears”: Trauma and the Foreclosure of Testimony in Wong Kar Wai’s 2046

By Petrovic Paul  

Asian Cinema, Vol. 21, Iss. 2, 2010-09 ,pp. : 217-233

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