

Author: Sato Shin-ichi Prodi Nicola
Publisher: S. Hirzel Verlag
ISSN: 1610-1928
Source: Acta Acustica united with Acustica, Vol.95, Iss.3, 2009-05, pp. : 519-526
Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.
Abstract
In order to clarify the significant acoustical parameters affecting the subjective judgment of the balance between a singer and instruments inside opera theatres, acoustical measurements, virtual reproductions and listening tests were accomplished and analysed. With impulse responses measured inside several theatres of different design and with an anechoic source consisting of a soprano singer and a piano keyboard, several virtual sound fields with particular objective parameters were reproduced under controlled conditions. The sound level difference between the stage and the pit (or
Related content


Subjective Assessment of Upright Piano Key Vibrations
Acta Acustica united with Acustica, Vol. 97, Iss. 4, 2011-07 ,pp. :


A subjective method for evaluation of sound insulation
By Geluk J.J
Acta Acustica united with Acustica, Vol. 7, Iss. 2, 1957-01 ,pp. :


The Subjective Duration of Narrow-Band Sound at Different Frequencies
By Burghardt H.
Acta Acustica united with Acustica, Vol. 28, Iss. 5, 1973-05 ,pp. :

