'From grade B thrillers to deluxe chillers': prestige horror, female audiences, and allegories of spectatorship in The Spiral Staircase (1946)

Author： Snelson Tim  

Publisher： Routledge Ltd

ISSN： 1740-0309

Source： New Review of Film and Television Studies, Vol.7, Iss.2, 2009-06, pp. : 173-188

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Do the right thing? Female allegories of nation in Aleksandr Askoldov's Komissar (USSR, 1967/87) and Konrad wolf's Der Geteilte Himmel (GDR, 1964)

By Berghahn Daniela  

Historical Journal of Film, Radio and Television, Vol. 26, Iss. 4, 2006-10 ,pp. : 561-577

Routledge Ltd

Access to resources Recommend Favorite

SPECTATORSHIP AND SOCIAL COGNITION

By Romao Tico  

New Review of Film and Television Studies, Vol. 4, Iss. 1, 2006-04 ,pp. : 53-61

Routledge Ltd

Access to resources Recommend Favorite

INVITING AUDIENCES IN

By Johnson Derek  

New Review of Film and Television Studies, Vol. 5, Iss. 1, 2007-04 ,pp. : 61-80

Routledge Ltd

Access to resources Recommend Favorite

All fun and games…: children's culture in the horror film, from Deep Red (1975) to Child's Play (1988)

By Lennard Dominic W.  

Continuum: Journal of Media & Cultural Studies, Vol. 26, Iss. 1, 2012-02 ,pp. : 133-142

Routledge Ltd

Access to resources Recommend Favorite

A Review of “Feminine Look: Sexuation, Spectatorship, Subversion”

By Neroni Hilary  

Quarterly Review of Film and Video, Vol. 28, Iss. 1, 2011-01 ,pp. : 91-93

Routledge Ltd

Access to resources Recommend Favorite