

Author: Davis Julia
Publisher: Springer Publishing Company
ISSN: 0025-1534
Source: Man and World, Vol.38, Iss.3-4, 2005-10, pp. : 223-239
Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.
Abstract
This paper offers a close analysis of Heidegger’s interpretation of the demigod in his 1934/35 lecture course, Hölderlins Hymnen “Germanien}” und} “Der Rhein}” (Gesamtausgabe 39). Focusing on Hölderlin’s two different versions of Strophe VIII of “The Rhine” hymn, it traces through Heidegger’s inaugural insights into the structure of need (Brauch}) articulated in the “The Rhine” hymn as the gods’ need and use of the demigods to “feel something of themselves.” Contrasting this with Plato’s analysis of the demigod in the Symposium, the paper argues that for Heidegger the between is original in first founding the limit between gods and human beings through the creation of a new kind of otherness. It then goes on to follow out this insight through Heidegger’s interpretation of the counterturning course of the Rhine river in relationship to its origin, asserting that what is at stake in that analysis is Heidegger’s working out of a new conception of creativity realized through the river’s dwelling poetically.
Related content


Heidegger’s Thought and Nazism
Inquiry, Vol. 43, Iss. 3, 2000-09 ,pp. :




Performing from Heidegger’s Turning
Performing Ethos: International Journal of Ethics in Theatre & Performance, Vol. 5, Iss. 1-2, 2015-07 ,pp. :


Heidegger’s thinking on the “Same” of science and technology
Man and World, Vol. 47, Iss. 1, 2014-03 ,pp. :


Properties of Being in Heidegger’s
International Journal of Philosophical Studies, Vol. 22, Iss. 3, 2014-05 ,pp. :