Author： Gold John Revill George
Publisher： Springer Publishing Company
ISSN： 0343-2521
Source： GeoJournal, Vol.65, Iss.1-2, 2006-02, pp. : 55-66
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Abstract
This paper examines the four trips that the English folk music collector Cecil Sharp made to Appalachia (1916–1918) as a case-study through which to explore the relationships between nationhood and place identity. The first parts consider background on the theoretical underpinnings of folk music collection and about Sharp’s earlier work. We then investigate how Sharp and his companion Maud Karpeles initially came to collect what they felt were
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